Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and selectthe number of tickets you would like. An automatic allocation of seats willtake place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area.There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions,obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the ticketsis no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked inthe corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call:
Ticket Service Die Staatstheater Stuttgart  (+49) (0) 711. 20 20 90 Mon – Fri 10 am – 8 pm, Sat10 am – 6 pm
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Information on Online Sales

Please examine our General Terms and Conditions as well as the following excepts from the general information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances in the Opernhaus as well as for concerts generally begin on the same date two months before the day of the performance. For performances in all other venues, pre-sales generally begin one month before the performance date. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the daybefore. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri: 10 am –8 pm, Sat: 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternate sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at Staatstheater Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher,the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers is not currently possible for online sales. Please use our alternate sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri: 10 am – 7 pm, Sat: 10am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711.20 20 90, Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm) will be happy to provide you with more information!
Payment
Tickets can be paid with direct debit or credit card (American Express, MasterCard, VISA).
Return / Exchange
We ask that you carefully check your information before authorizing purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 
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DEUTSCH

Elizabeth Wisenberg

Corps de ballet

BACK

VITA

Elizabeth Wisenberg was born in Waterbury, Connecticut, USA. She started her ballet training at the Mayra Northern Classical Ballet School, San Antonio, Texas where she studied from 1992 until 1999. She continued her dance education at the Washington School of Ballet until 2003 and went to the National Ballet School of Canada for another year.

She took part in different competitions. In 2001 she won the bronze medal in the junior division at the Youth American Grand Prix and in 2003 the silver medal in the senior division at the National Youth Ballet Competition.

Elizabeth Wisenberg had her first engagement as a professional dancer from 2004 until 2006 at the Boston Ballet where she danced in the Corps de ballet.

Since the season 2006/07 she has been a Corps de ballet member with the Stuttgart Ballet.

REPERTOIRE

Solo Roles with the Stuttgart Ballet
  • Don Quijote (Maximiliano Guerra): Gypsy as Kitri's Double, Cupid, Pepa
  • Forgotten Land (Jiří Kylián): Couple in Pink
  • La Sylphide (Peter Schaufuss after August Bournonville): Effie, Pas de huit
  • Orlando (Marco Goecke): Princess Sasha
  • Othello (John Neumeier): La Primavera
  • Swan Lake (John Cranko): Pas de six, Small Swan
  • swish (Demis Volpi)
  • The Four Temperaments (George Balanchine): Solo role in Melancholic
  • The Lady of the Camellias (John Neumeier): Olympia
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Grace Fairy
 
Specially created Roles
  • Big Blur (Demis Volpi): solo role
  • Das Fräulein von S. (Christian Spuck)
  • Hamlet (Kevin O’Day): Woman of the Court
  • Krabat (Demis Volpi)
  • Orlando (Marco Goecke)
  • Orphée et Euridice (Staging, Choreography: Christian Spuck)
  • RED in 3. (Jorma Elo)
 
Specially created Roles at Noverre-Society: Young Choreographers
  • from me to you (Demis Volpi)
  • palpaple leers (Demis Volpi)
 
Corps de ballet Roles with the Stuttgart Ballet
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides)
  • Das Fräulein von S. (Christian Spuck)
  • Don Quijote (Maximiliano Guerra)
  • Frank Bridge Variations (Hans van Manen)
  • Gaîté parisienne (Maurice Béjart)
  • Goecke at the Chamber: The Nutcracker (Marco Goecke)
  • Il Concertone (Mauro Bigonzetti)
  • Initials R.B.M.E. (John Cranko)
  • La fille mal gardée (Sir Frederick Ashton)
  • La Sylphide (Peter Schaufuss after August Bournonville)
  • Le Sacre du Printemps (Glen Tetley)
  • Onegin (John Cranko)
  • Opus 1 (John Cranko)
  • Poème de l’extase (John Cranko)
  • Requiem (Kenneth MacMillan)
  • Romeo and Juliet (John Cranko)
  • Siebte Sinfonie (Uwe Scholz)
  • Swan Lake (John Cranko)
  • The Lady and the Fool (John Cranko)
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa)
  • The Song of the Earth (Kenneth MacMillan)
  • The Taming of the Shrew (John Cranko)
  • Theme and Variations (George Balanchine)
 
Roles with the Boston Ballet
  • Cinderella (James Kudella): Garden Creature
  • La fille mal gardée(Frederick Ashton): Corps de ballet
  • La Sylphide (Sorella Englund): Reel, Sylph
  • Raymonda (Marius Petipa): Act III Corps de ballet
  • Rubies (George Balanchine): Corps de ballet
  • Serenade (George Balanchine): Corps de ballet
  • The Nutcracker (Mikko Nissinen): Marzipan, Snowflake, Flower, Party Parent
  • The Sleeping Beauty (Rudolf Nureyev): Lilac Fairy Attendant, Garland, Peasant, Nymph, Mazurka, Beauty/Beast
  • The Taming of the Shrew (John Cranko): Townsfolk, Wedding, Carnival
Stuttgarter Ballett, Portrait von Elizabeth Wisenberg, Foto: die arge lola