Information on Seat Selection

Best Available Seat Booking

In best available seat booking, you choose a category of seats and selectthe number of tickets you would like. An automatic allocation of seats willtake place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.

Seating Chart Booking

In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area.There you can select the seats by clicking on them. Seating chart booking is not offered for some events.

General Seating

means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.

Seat or Standing Room, Depending on Availability

In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.

Obstructed Views/Supertitles

Due to building conditions or the demands of individual productions,obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm).

No Longer Available for Delivery

means that the event is taking place soon and that shipment of the ticketsis no longer possible. Please select “Pick up tickets” as an alternative.

Only 1 Ticket Can be Selected / Individual Seat

Only individual seats (no groups of adjoining seats) can still be booked inthe corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.

Any more questions?

Call:
Ticket Service Die Staatstheater Stuttgart (+49) (0) 711. 20 20 90 Mon – Fri 10 am – 8 pm, Sat10 am – 6 pm

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Information on Online Sales

Please examine our General Terms and Conditions as well as the following excepts from the general information on ticket pre-sales.

Ticket Pre-sales

Ticket pre-sales for performances in the Opernhaus as well as for concerts generally begin on the same date two months before the day of the performance. For performances in all other venues, pre-sales generally begin one month before the performance date. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the daybefore. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri: 10 am –8 pm, Sat: 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.

Seat Selection

In the course of your booking, information relating to seat selection will be displayed.

Ticket Prices

Ticket prices for online sales include a service fee of 1.00 € per ticket.

Discounts (other than the Schauspielcard)

Please use the alternate sales channels for discounts, as they are not available or applicable for online sales.

Gift Vouchers

Gift certificates can be used as a form of payment for one or more performances at Staatstheater Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher,the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers is not currently possible for online sales. Please use our alternate sales channels for this purpose.

Delivery / Pick Up with Confirmation of Purchase

Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri: 10 am – 7 pm, Sat: 10am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.

Late Seating

may not be possible for certain performances. Our telephone ticket service (0711.20 20 90, Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm) will be happy to provide you with more information!

Payment

Tickets can be paid with direct debit or credit card (American Express, MasterCard, VISA).

Return / Exchange

We ask that you carefully check your information before authorizing purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.

Technical Requirements

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Any more questions?

Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm

Elizabeth Mason

Principal Dancer

BACK

VITA

Elizabeth Mason was born in Virginia, USA. She received her first ballet training at the Kirov Academy of Ballet in Washington D.C. Later, she was trained at the John Cranko Schule in Stuttgart. As a student, Elizabeth Mason took part in the Prix de Lausanne in January 2000, where she danced A Green Place, created for her by Douglas Lee. She was awarded as Semi-Finalist.

After graduating in 2001, she became an apprentice with the Stuttgart Ballet. In the following season she was taken into the Corps de ballet. In 2005/06 she was promoted to Demi Soloist, in 2007/08 to Soloist. Her promotion to Principal Dancer followed in 2008/09.

REPERTOIRE

Leading Roles with the Stuttgart Ballet

Avatar (Matjash Mrozewski)
Dances at a Gathering (Jerome Robbins): Role in Apricot
Das Fräulein von S. (Christian Spuck): Madelon, Cardillac’s daughter
Don Quijote (Maximiliano Guerra): Dulcinea
Dream of Galilei (William Forsythe): Pas de trois
Forgotten Land (Othello (Jiří Kylián): Couple in White
From Holberg’s time (John Cranko)
Gaîté Parisienne (Maurice Béjart): The young girl in white
Giselle (Production: Reid Anderson, Valentina Savina): Giselle, Peasant-Pas de deux
Initials R.B.M.E. (John Cranko)
La fille mal gardée (Sir Frederick Ashton): Lise
La Sylphide (Peter Schaufuss after August Bournonville): The Sylph
Le Corsaire (Marius Petipa): Pas de deux, for a gala
Leonce and Lena (Christian Spuck): Lena
Lulu. A Monstre Tragedy (Christian Spuck): Lulu
Onegin (John Cranko): Olga
Opus 1 (John Cranko)
Orlando (Marco Goecke): Queen Elizabeth I.
Othello (John Neumeier): Desdemona
Requiem (Kenneth MacMillan): “leading role”
Romeo and Juliet (John Cranko): Juliet
Slice to Sharp (Jorma Elo)
Swan Lake (John Cranko): Pas de six, Pas de quatre, Princess of Russia
The Lady of the Camellias (John Neumeier): Marguerite Gautier
The Sleeping Beauty (Márcia Haydée after Marius Petipa): Princess Aurora, The Blue Bird’s Princess, Eloquence-Fairy
The Song of the Earth (Kenneth MacMillan): solo role in the Third Theme
The Taming of the Shrew (John Cranko): Bianca
The Vertiginous Thrill of Exactitude (William Forsythe)

Specially created Roles

A Green Place (Douglas Lee)
Igor Poems (Kevin O’Day)
Il Concertone (Mauro Bigonzetti)
RED in 3. (Jorma Elo)
Viewing Room (Douglas Lee)

Specially created Roles at Noverre-Society: Young Choreographers

Denial of service (Alexander Makaschin)
Le Bal de Bals (Selatin Kara)
Slight Erosion (Brent Parolin)

Corps de ballet Roles with the Stuttgart Ballet

..., la peau blanche... (Christian Spuck)
A Streetcar named Desire (John Neumeier)
Avatar (Matjash Mrozewski)
das siebte blau (Christian Spuck)
dreamdeepdown (Kevin O’Day)
Gaîté parisienne (Maurice Béjart)
Giselle (Production: Reid Anderson, Valentina Savina)
Goecke at the Kammertheater : The Nutcracker (Marco Goecke)
Hikarizatto (Itzik Galili)
La Fille mal gardée (Sir Frederick Ashton)
La Sylphide (Peter Schaufuss, after August Bournonville)
Le sacre du printemps (Glen Tetley)
Les Sylphides (Michail Fokine)
Lulu. A Monstre Tragedy (Christian Spuck)
melodious gimmick to keep the boys in line (Marc Spradling)
Nautilus (Wayne McGregor)
Onegin (John Cranko)
Romeo and Juliet (John Cranko)
Serenade (George Balanchine)
Seventh Symphony (Uwe Scholz)
Stravinsky Violin Concerto (George Balanchine)
Swan Lake (John Cranko)
Sweet Sweet Sweet (Marco Goecke)
Symphony in C (George Balanchine)
The four Temperaments (George Balanchine)
The Lady of the Camellias (John Neumeier)
The Sandman (Christian Spuck)
The Sleeping Beauty (Márcia Haydée after Marius Petipa): Aurora’s Friend
The Taming of the Shrew (John Cranko)
Voluntaries (Glen Tetley)