Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions, obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the tickets is no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked in the corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call our Ticket Service:
(+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at the Opernhaus, the Schauspielhaus and at the Liederhalle generally begin on the same date two months before the day of the performance. For performances in all other venues, pre-sales generally begin one month before the performance date. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the daybefore. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at the Statestheatres Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher, the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers for online sales is currently not possible. Please use our alternative sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
print@home
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Payment
Tickets can be paid with credit card (American Express, MasterCard, VISA) or direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 
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Sue Jin Kang

Principal Dancer

WILL BE DANCING:

Tatjana

VITA

Sue Jin Kang was born in Seoul, South Korea. After initial ballet lessons in her native country, she studied with Marika Besobrasova at the Académie de Danse classique Princess Grace in Monte Carlo. In 1985 she won the Prix de Lausanne.

In September 1986, Sue Jin Kang was taken into the Stuttgart Ballet’s Corps de ballet. 1994 Márcia Haydée promoted her to Soloist; three years later Reid Anderson promoted her to Principal Dancer. Her repertoire includes a wise range of leading roles full-length ballets, especially by John Cranko, as well as solo roles in other choreographies. Several renowned choreographers have created roles for Sue Jin Kang in their ballets.

Sue Jin Kang has toured with the Stuttgart Ballet all around the world. She successfully performed at the National Ballet of Korea, at the Universal Ballet in Seoul, Korea, as well as at the Art Festival in Istanbul and in Hanover where she danced Lise in La fille mal gardée (Heinz Spoerli). She has also danced at the Bavarian State Ballet Munich, the Dresden Ballet, the Ballet of the Hessian State Theatre Wiesbaden, the Ballet of the Royal Czech National Theatre, the Leipzig Ballet, the Ballet du Capitole, Toulouse and the Vienna State Opera. In May 2007 she was invited by John Neumeier to dance the role of Marguerite Gautier in his ballet The Lady of the Camellias with the Hamburg Ballet and Marijn Rademaker in the role of Armand Duval.

Sue Jin Kang has received several honours and prices such as the Prix Benois de la Danse for her role as Marguerite in The Lady of the Camellias (John Neumeier) in 1999. In 2007 she was awarded the national title of “Kammertänzerin”. In the same year she received the John Cranko-Award from the John Cranko Association. In addition to that, she received diverse honours in her native country.

Stuttgart Ballet’s Principal Dancer Sue Jin Kang was appointed to Artistic Director of the Korean National Ballet in January 2014. But until summer 2016 she will also stay a dancer with the Stuttgart Ballet.

REPERTOIRE

Leading Roles with the Stuttgart Ballet
  • A Midsummer Night’s Dream (Jean Christophe Blavier): Titania
  • Afternoon of a Faun (Jerome Robbins)
  • Bartók Piano Concerto No. 1 (Uwe Scholz)
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides): Carmen
  • Chaconne (George Balanchine)
  • Cinderella (Jean Christophe Blavier): Cinderella
  • Corps (Hans van Manen)
  • Dances at a Gathering (Jerome Robbins): Role in Pink, Role in Green
  • Edward II (David Bintley): Queen Isabella
  • Forgotten Land (Jiří Kylián)
  • Fratres (John Neumeier): female leading role
  • Giselle (Production: Reid Anderson, Valentina Savina): Giselle
  • Giselle (Sir Peter Wright): Giselle
  • Große Fuge (Hans van Manen)
  • Herbst (John Cranko): Pas de deux
  • Hommage à Bolshoi (John Cranko)
  • In and Out (Hans van Manen)
  • Initials R.B.M.E. (John Cranko): M.
  • La Chambre (Renato Zanella)
  • Las Hermanas (Sir Kenneth MacMillan): Angustias
  • Legend (John Cranko): Pas de deux
  • Les Sylphides (Michail Fokine): Prélude
  • Love Songs (William Forsythe)
  • Mata Hari (Renato Zanella): Mata Hari
  • No More Play (Jiří Kylián)
  • Nôtre Dame de Paris (Taneo Ishida): Esmeralda
  • Now and Then (John Neumeier)
  • Nuages (Jiří Kylián)
  • Onegin (John Cranko): Tatjana
  • Othello (John Neumeier): Emilia
  • Poème de l’Extase (John Cranko): Diva
  • Rassemblement (Nacho Duato)
  • Requiem (Kenneth MacMillan): “leading role”
  • Return to a stange Land (Jiří Kylián)
  • Romeo and Juliet (John Cranko): Juliet
  • Serenade (George Balanchine)
  • Sinfonie in D (Jiří Kylián)
  • Stravinsky Violin Concerto (George Balanchine)
  • Symphony in C (George Balanchine): Third movement
  • Tchaikovsky Pas de Deux (George Balanchine)
  • The Concert (Jerome Robbins)
  • The four Temperaments (George Balanchine): Sanguinic
  • The Lady and the Fool (John Cranko): Lady
  • The Lady of the Camellias (John Neumeier): Marguerite Gautier
  • The Magic Flute (Maurice Béjart): Pamina
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Aurora
  • The Song of the Earth (Kenneth MacMillan)
  • The Taming of the Shrew (John Cranko): Katharina
  • The Vertiginous Thrill of Exactitude (William Forsythe)
  • Vers un Pays Sage (Jean Christophe Maillot)
  • Voluntaries (Glen Tetley)
 
Specially created Roles
  • Avatar (Matjash Mrozewski)
  • Black Angel (Renato Zanella)
  • Delta Inserts (Kevin O’Day)
  • dreamdeepdown (Kevin O’Day)
  • Igor Poems (Kevin O’Day)
  • Kazimir’s Colours (Mauro Bigonzetti)
  • Krabat (Demis Volpi): Herr Gevatter
  • Les Noces (Stephan Thoss)
  • Madama Butterfly (Enrique Gasa Valga)
  • Nautilus (Wayne McGregor)
  • Orfeas (Roberto de Oliveira)
  • Orma (Mauro Bigonzetti)
  • Quattro Danze per Nino (Mauro Bigonzetti)
  • Songs (Christian Spuck)
  • Stepping Stones (Jiří Kylián)
 
Specially created Roles at Noverre-Society: Young Choreographers
  • (______________?) (Thierry Michel)
  • Dumsky? (Mark McClain)
  • Fünf Etüden (Frédéric Gafner)
  • Lange noch bei den Rosen (Bertrand Perreau)
  • Mujeres sin Hombres (Mark McClain)
  • Restaurant und Bar „Dumky“ (Mark McClain)
  • Something Within Us (Mark McClain)
  • Three waterdrops (Tunc Soekmen)

Stuttgarter Ballett, Portrait von Sue Jin Kang, Foto: Roman Novitzky
IMAGEGALERY OF SUE JIN KANG