Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and selectthe number of tickets you would like. An automatic allocation of seats willtake place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area.There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions,obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the ticketsis no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked inthe corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call:
Ticket Service Die Staatstheater Stuttgart  (+49) (0) 711. 20 20 90 Mon – Fri 10 am – 8 pm, Sat10 am – 6 pm
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Information on Online Sales

Please examine our General Terms and Conditions as well as the following excepts from the general information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances in the Opernhaus as well as for concerts generally begin on the same date two months before the day of the performance. For performances in all other venues, pre-sales generally begin one month before the performance date. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the daybefore. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri: 10 am –8 pm, Sat: 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternate sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at Staatstheater Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher,the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers is not currently possible for online sales. Please use our alternate sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri: 10 am – 7 pm, Sat: 10am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711.20 20 90, Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm) will be happy to provide you with more information!
Payment
Tickets can be paid with direct debit or credit card (American Express, MasterCard, VISA).
Return / Exchange
We ask that you carefully check your information before authorizing purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 
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DEUTSCH

Hyo-Jung Kang

Principal Dancer

BACK

WILL BE DANCING:

Krabat
Worschula
Fr. 31.05.2013 19:30
sold out - there may be remaining tickets at the box office
Worschula
Mo. 03.06.2013 19:00
sold out - there may be remaining tickets at the box office
Worschula
Th. 06.06.2013 18:00

VITA

Hyo-Jung Kang was born and raised in Seoul, Korea. She started her ballet training in 1998 at the Sunwha Art Middle School in Seoul. From 1998 until 2002 she attended the Kirov Academy of Ballet in Washington, D.C., USA. With the Universal Ballet Company she toured through Korea. In the same year she took part at the Prix de Lausanne and continued her ballet training at the John Cranko Schule in Stuttgart where she graduated in 2004.

In 2003/04 she joined the Stuttgart Ballet as an apprentice and in 2004/05 she became a Corps de ballet member. In 2008/09 she was promoted to Demi Soloist, in 2010/11 her promotion to Soloist followed. After an amazing debut as Juliet in John Cranko’s Romeo and Juliet in April 2011, Artistic Director Reid Anderson promoted Hyo-Jung Kang to Principal Dancer from the season 2011/12.

REPERTOIRE

Leading Roles with the Stuttgart Ballet
  • Das Fräulein von S. (Christian Spuck): Diamond
  • Don Quijote (Maximiliano Guerra): Kitri, Eva
  • Forgotten Land (Jiří Kylián): Couple in Red
  • Frank Bridge Variations (Hans van Manen)
  • Gaîté Parisienne (Maurice Béjart): The young girl in white
  • Giselle (Production: Reid Anderson, Valentina Savina): Peasant-Pas de deux, Second Wili
  • Initials R.B.M.E (John Cranko): solo role in the first part
  • La Sylphide (Peter Schaufuss after August Bournonville): The Sylph, First Sylph, Pas de huit
  • Las Hermanas (Sir Kenneth MacMillan): Adela
  • Lifecasting (Douglas Lee)
  • Mono Lisa (Itzik Galili)
  • Onegin (John Cranko): Tatiana, Olga
  • Romeo and Juliet (John Cranko): Juliet
  • Siebte Sinfonie (Uwe Scholz): female lead
  • Slice to Sharp (Jorma Elo)
  • Song of my People Forest People – Sea (John Cranko): Pas de trois
  • Swan Lake (John Cranko): Princess of Naples, Pas de six
  • The Lady of the Camellias (John Neumeier): Manon Lescaut
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Princess Aurora, Wisdom Fairy, Blue Bird’s Princess
  • The Taming of the Shrew (John Cranko): Bianca, Pas de six
  • The Vertiginous Thrill of Exactitude (William Forsythe)

Specially created Roles
  • ..., la peau blanche... (Christian Spuck): Maria de Medici
  • Hamlet Kevin O’Day): Travelling Dancer
  • Leviathan (Douglas Lee)
  • Nightlight (Douglas Lee)
  • Ssss... (Edward Clug)
  • veil (Sabrina Matthews)
 
Specially created Roles at Noverre-Society: Young Choreographers
  • Absolute (Brent Parolin)
  • Make me sway (Sarah Grether)
 
Corps de ballet Roles with the Stuttgart Ballet
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides)
  • Gaîté parisienne (Maurice Béjart)
  • Giselle (Production: Reid Anderson, Valentina Savina)
  • Initials R.B.M.E. (John Cranko)
  • Kazimir’s Colours (Mauro Bigonzetti)
  • La fille mal gardée (Sir Frederick Ashton)
  • La Sylphide (Peter Schaufuss after August Bournonville)
  • Lulu. A Monstre Tragedy (Christian Spuck)
  • Onegin (John Cranko)
  • Requiem (Kenneth MacMillan)
  • Romeo and Juliet (John Cranko)
  • Serenade (George Balanchine)
  • Seventh Symphony (Uwe Scholz)
  • Swan Lake (John Cranko)
  • The four Temperaments (George Balanchine)
  • The Lady of the Camellias (John Neumeier)
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa)
  • The Song of the Earth (Kenneth MacMillan)
  • Theme and Variations (George Balanchine)
  • Yantra (Wayne McGregor)
Stuttgarter Ballett, Portrait von Hyo-Jung Kang, Foto: Sébastien Galtier
IMAGEGALERY OF HYO-JUNG KANG