Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions, obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the tickets is no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked in the corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call our Ticket Service:
(+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at all venues generally begin on the same date two months before the day of the performance. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the day before. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at the Staatstheater Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher, the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers for online sales is currently not possible. Please use our alternative sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Tickets can be paid with credit card (American Express, MasterCard, VISA) or SEPA direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 

Rachele Buriassi



Rachele Buriassi was born in Sarzana, Italy. She began her dance training at the age of four at the Scuola di Danza 4 Movimento, a private school in Sarzana. In 2000 she started to study at the Ecole de Danse de Cannes/France Rosella Hightower. In 2002 she continued her education at the John Cranko Schule in Stuttgart and graduated in 2006. Rachele Buriassi took part in different competitions. In 2005 she won the second prize at the Tanzolymp Berlin and in 2006 the special prize “Wish will” at the Vaganova Grand Prix Russia.

In the season 2006/07 Rachele Buriassi joined the Stuttgart Ballet’s Corps de ballet. In 2010/11 she was promoted to Demi Soloist. Her promotion to Soloist followed in the season 2012/13.

In March 2009 Rachele Buriassi and William Moore received an invitation to the renowned Erik Bruhn Prize in Canada, where they performed La Grande Parade du Funk, choreographed by Bridget Breiner on that occasion, and the Pas de deux in the Third Act from Swan Lake (John Cranko).


Leading and Solo Roles with the Stuttgart Ballet
  • Allegro Brillante (George Balanchine)
  • Bravo Charlie (Marco Goecke)
  • Das Fräulein von S. (Christian Spuck): Ruby
  • Don Quijote (Maximiliano Guerra): Kitri, Mercedes, Queen of the Dryads
  • Forgotten Land (Jiří Kylián): Couple in Red
  • Gaîté Parisienne (Maurice Béjart): Marianne
  • Giselle (production: Reid Anderson, Valentina Savina): Myrtha
  • Hamlet (Kevin O’Day): Travelling Dancer
  • High (Louis Stiens)
  • I fratelli – Die Brüder (Mauro Bigonzetti): Ginetta
  • Il Concertone (Mauro Bigonzetti)
  • Initials R.B.M.E. (John Cranko): solo role in the first part
  • Krabat (Demis Volpi): Pumphutt
  • La Sylphide (Peter Schaufuss after August Bournonville): First Sylph, one of the Two Sylphs
  • Las Hermanas (Sir Kenneth MacMillan): Martirio
  • Le Chant du Rossignol (Marco Goecke)
  • Le Sacre du Printemps (Glen Tetley): Pas de deux, Solo Role
  • Leonce and Lena (Christian Spuck): Governess
  • Lifecasting (Douglas Lee)
  • Romeo and Juliet (John Cranko): Gipsy
  • Siebte Sinfonie (Uwe Scholz)
  • Slice to Sharp (Jorma Elo)
  • Ssss... (Edward Clug)
  • Swan Lake (John Cranko): Odette/Odile, big swan, Pas de six
  • The Lady of the Camellias (John Neumeier): Prudence Duvernoy, Manon Lescaut
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Strength Fairy, Ruby, Sapphire
  • The Song of the Earth (Kenneth MacMillan): Solo role
  • The Taming of the Shrew (John Cranko): Pas de six, Street Girl
  • The Vertiginous Thrill of Exactitude (William Forsythe)
  • Theme and Variations (George Balanchine): leading role
  • workwithinwork (William Forsythe)

Specially created Roles
  • Dancer in the Dark (Marco Goecke/Louis Stiens)
  • Firebird (Sidi Larbi Cherkaoui)
  • Hamlet (Kevin O’Day): Woman of the Court
  • Il Concertone (Mauro Bigonzetti)
  • Leviathan (Douglas Lee)
  • On Velvet (Marco Goecke)
  • Orlando (Marco Goecke): one of the allegories
  • Orphée et Euridice (Staging, Choreography: Christian Spuck)
  • Pocket Concerto (Edward Clug)
  • Two at a time (Cayetano Soto)
Specially created Roles at Noverre-Society: Young Choreographers
  • Dearest (David Moore)
  • Duet For Six (Armando Braswell)
  • Fragrance (Emil FAski)
  • Hiraeth (Wubkje Kuindersma)
  • In Passing (Joseph Morrissey)
  • Sketched Skin (Wubkje Kuindersma)
  • speak volumes (Tim Plegge)
  • Why are we here? (Sebastian Geiger)
Corps de ballet Roles with the Stuttgart Ballet
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides)
  • das siebte blau (Christian Spuck)
  • Frank Bridge Variations (Hans van Manen)
  • Gaîté parisienne (Maurice Béjart)
  • Giselle (Production: Reid Anderson, Valentina Savina)
  • Goecke at the Chamber: The Nutcracker (Marco Goecke)
  • Initialen R.B.M.E. (John Cranko)
  • La fille mal gardée (Sir Frederick Ashton)
  • Lulu. A Monstre Tragedy (Christian Spuck)
  • Onegin (John Cranko)
  • Requiem (Kenneth MacMillan)
  • Romeo and Juliet (John Cranko)
  • Siebte Sinfonie (Uwe Scholz)
  • The Lady and the Fool (John Cranko)
  • The Lady of the Camellias (John Neumeier) 
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa)
  • The Song of the Earth (Kenneth MacMillan)
  • The Taming of the Shrew (John Cranko)
  • Theme and Variations (George Balanchine)
Stuttgarter Ballett, Portrait von Rachele Buriassi, Foto: Roman Novitzky