Information on Seat Selection

Best Available Seat Booking

In best available seat booking, you choose a category of seats and selectthe number of tickets you would like. An automatic allocation of seats willtake place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.

Seating Chart Booking

In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area.There you can select the seats by clicking on them. Seating chart booking is not offered for some events.

General Seating

means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.

Seat or Standing Room, Depending on Availability

In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.

Obstructed Views/Supertitles

Due to building conditions or the demands of individual productions,obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm).

No Longer Available for Delivery

means that the event is taking place soon and that shipment of the ticketsis no longer possible. Please select “Pick up tickets” as an alternative.

Only 1 Ticket Can be Selected / Individual Seat

Only individual seats (no groups of adjoining seats) can still be booked inthe corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.

Any more questions?

Call:
Ticket Service Die Staatstheater Stuttgart (+49) (0) 711. 20 20 90 Mon – Fri 10 am – 8 pm, Sat10 am – 6 pm

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Information on Online Sales

Please examine our General Terms and Conditions as well as the following excepts from the general information on ticket pre-sales.

Ticket Pre-sales

Ticket pre-sales for performances in the Opernhaus as well as for concerts generally begin on the same date two months before the day of the performance. For performances in all other venues, pre-sales generally begin one month before the performance date. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the daybefore. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri: 10 am –8 pm, Sat: 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.

Seat Selection

In the course of your booking, information relating to seat selection will be displayed.

Ticket Prices

Ticket prices for online sales include a service fee of 1.00 € per ticket.

Discounts (other than the Schauspielcard)

Please use the alternate sales channels for discounts, as they are not available or applicable for online sales.

Gift Vouchers

Gift certificates can be used as a form of payment for one or more performances at Staatstheater Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher,the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers is not currently possible for online sales. Please use our alternate sales channels for this purpose.

Delivery / Pick Up with Confirmation of Purchase

Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri: 10 am – 7 pm, Sat: 10am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.

Late Seating

may not be possible for certain performances. Our telephone ticket service (0711.20 20 90, Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm) will be happy to provide you with more information!

Payment

Tickets can be paid with direct debit or credit card (American Express, MasterCard, VISA).

Return / Exchange

We ask that you carefully check your information before authorizing purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.

Technical Requirements

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Any more questions?

Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm

Brent Parolin

Demi Soloist

BACK

VITA

VITA

Brent Parolin was born in Prince George, British Columbia, Canada in 1987. He started to take ballet lessons at Judy Russell’s Enchainement Dance Centre in his home town at the age of six. From 2001 until 2005 he continued his dance education at the National Ballet School of Canada in Toronto and successfully completed it one year later at the John Cranko Schule in Stuttgart.

After being an apprentice with the Stuttgart Ballet in the season 2006/07, Brent Parolin was taken into the Corps de ballet in 2007/08. In 2010/11 he was promoted to Demi Soloist.

He danced his first major role at the Stuttgart Ballet while still being a dancer in the Corps de ballet: the title role in Marco Goecke’s Orlando. For the Noverre-Society’s “Young Choreographers” he already created two own choreographies. In June 2010 his Pas de deux Slight Erosion for Elizabeth Mason and Alexander Jones premiered. One year later the Pas de deux Absolute, danced by Alessandra Tognoloni and Alexander Jones, premiered.

REPERTOIRE

Leading Roles and Solo Roles with the Stuttgart Ballet

Big Blur (Demis Volpi)
Bolero (Maurice Béjart)
Bravo Charlie (Marco Goecke)
Come Neve al Sole (Rolando D’Alesio)
Das Fräulein von S. (Christian Spuck): Pierre Arnaud d’Andilly, advocate
Don Quijote (Maximiliano Guerra): Camacho, Gypsy Prince
Fingerspitzengefühl (Demis Volpi)
Forgotten Land (Jiří Kylián): Couple in Red
Gaîté Parisienne (Maurice Béjart): Offenbach, Friend
Krabat (Demis Volpi): Merten
La Sylphide (Peter Schaufuss after August Bournonville): Pas de huit
Orlando (Marco Goecke): title role
Orphée et Euridice (Christian Spuck): main Amor Boy
RED in 3. (Jorma Elo)
Romeo and Juliet (John Cranko): Mercutio, Carnival Prince
Ssss... (Edward Clug)
Swan Lake (John Cranko): Rotbart, Cavalier of the Princess of Naples, Companion of the Prince
swish (Demis Volpi)
The Four Temperaments (George Balanchine): Second Theme
The Lady and the Fool (John Cranko): Host
The Lady of the Camellias (John Neumeier): des Grieux
The Taming of the Shrew (John Cranko): Gremio

Specially created Roles

Das Fräulein von S. (Christian Spuck)
Goecke at the Chamber: The Nutcracker (Marco Goecke): solo role in “Silent Night”
Hamlet (Kevin O’Day): Marcellus, Man of the Court
Il Concertone (Mauro Bigonzetti)
Krabat (Demis Volpi): Lyschko
Letters of Others (Bridget Breiner)
Orlando (Marco Goecke)
Orphée et Euridice (Staging, Choreography: Christian Spuck): one of “Suite de l’Amour”
Pocket Concerto (Edward Clug)
Two at a time (Cayetano Soto)

Specially created Roles at Noverre-Society: Young Choreographers

from me to you (Demis Volpi)
In Passing (Joseph Morrissey)

Corps de ballet Roles with the Stuttgart Ballet

Bolero (Maurice Béjart)
Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides)
Don Quijote (Maximiliano Guerra)
Frank Bridge Variations (Hans van Manen)
Gaîté parisienne (Maurice Béjart): Hussar
Giselle (Production: Reid Anderson, Valentina Savina)
Goecke at the Chamber: The Nutcracker (Marco Goecke)
Hamlet (Kevin O’Day)
I fratelli – The Brothers (Mauro Bigonzetti)
Initials R.B.M.E. (John Cranko)
Jeu de cartes (John Cranko)
La fille mal gardée (Sir Frederick Ashton)
La Sylphide (Peter Schaufuss after August Bournonville):
Le Sacre du Printemps (Glen Tetley)
Leonce and Lena (Christian Spuck): a.o. Royal dresser
Lulu. A Monstre Tragedy (Christian Spuck): one of Lulu’s Lovers
Onegin (John Cranko)
Opus 1 (John Cranko)
Othello (John Neumeier)
Poème de l’extase (John Cranko)
Présence (John Cranko)
Requiem (Kenneth MacMillan)
Romeo and Juliet (John Cranko)
Siebte Sinfonie (Uwe Scholz)
Swan Lake (John Cranko)
The Lady and the Fool (John Cranko)
The Lady of the Camellias (John Neumeier)
The Sleeping Beauty (Márcia Haydée after Marius Petipa)
The Song of the Earth (Kenneth MacMillan)
The Taming of the Shrew (John Cranko)
Yantra (Wayne McGregor)

OWN CHOREOGRAPHIES

Slight Erosion World premiere at Noverre-Society: Young Choreographers on June 9th, 2010, Stuttgart Ballet
Absolute World premiere at Noverre-Society: Young Choreographers on July 13th, 2011, Stuttgart Ballet

Stuttgarter Ballett, Portrait von Brent Parolin, Foto: die arge lola