Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions, obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the tickets is no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked in the corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call our Ticket Service:
(+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at the Opernhaus, the Schauspielhaus and at the Liederhalle generally begin on the same date two months before the day of the performance. For performances in all other venues, pre-sales generally begin one month before the performance date. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the daybefore. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at the Statestheatres Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher, the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers for online sales is currently not possible. Please use our alternative sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
print@home
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Payment
Tickets can be paid with credit card (American Express, MasterCard, VISA) or direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 
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Daniel Camargo

Principal Dancer

WILL BE DANCING:

VITA

Daniel Camargo was born in Sorocaba, Brasil. He received his first ballet lessons at a private school and attended from 2000 until 2005 the Teatro Guaira Ballet School in Curitiba, Brasil. In 2005 Tadeusz Matacz, Director of the John Cranko Schule, discovered Daniel Camargo at the Youth America Grand Prix and invited him to continue his education in Stuttgart. He graduated in 2009. During the performance at the end of his last school year he danced the technically extremely demanding Solo Notations I – IV which Uwe Scholz created for Vladimir Malakhov in 1996.

In the 2009/10 season Daniel Camargo was taken into the Stuttgart Ballet’s Corps de ballet. He became Demi-Soloist in 2011/12. After his excellent debut in the role of Basilio in Maximiliano Guerra’s Don Quijote he became Soloist at the beginning of the season 2012/13. One season later he has been promoted to Principal Dancer.

InOctober 2009 he was awarded the European Most Promising Award by the EuropeanFoundation for Culture. In the season 2010/11 he won the „German Dance Price Future“. In 2011 he participated at the competition for the Erik Bruhn Prize in Toronto, Canada and won the Audience Choice with his partner Elisa Badenes. They where performing the Pas de deux from the third Act of Don Quixote (Marius Petipa) as well as the Pas de deux Little Monsters which Demis Volpi created for them especially on this occasion.

Daniel Camargo created his first own choreography for the Noverre Society’s Young Choreographers. In January 2013 Do outro lado premiered, danced by Nicholas Jones and Robert Robinson.

REPERTOIRE

Leading and Solo Roles with the Stuttgarter Ballett
  • Big Blur (Demis Volpi)
  • Dances at a Gathering (Jerome Robbins): Role in Brick
  • Das Fräulein von S. (Christian Spuck): Louis XIV., King of France
  • Diana und Aktäon-Pas de deux (Agrippina Waganova)
  • Don Quijote (Maximiliano Guerra): Basilio, Gypsy Prince
  • Forgotten Land (Jiří Kylián): Couple in Red
  • Gaîté Parisienne (Maurice Béjart): Bim
  • Giselle (Production: Reid Anderson, Valentina Savina): Peasant-Pas de deux
  • Il Concertone (Mauro Bigonzetti)
  • Krabat (Demis Volpi): Krabat
  • La Sylphide (Peter Schaufuss after August Bournonville): Gurn, Pas de huit
  • Le Sacre du Printemps (Glen Tetley): Sacrifice
  • Leonce and Lena (Christian Spuck): Leonce
  • Miniatures (Douglas Lee)
  • No Men's Land (Edward Clug): Solo role
  • On Velvet (Marco Goecke)
  • Onegin (John Cranko): Lenski
  • Orphée et Euridice (Staging, Choreography: Christian Spuck): one of the Amor Boys
  • Othello (John Neumeier): Cassio
  • Pas de deux: La Bayadère (Marius Petipa)
  • RED in 3. (Jorma Elo)
  • Romeo and Juliet (John Cranko): Romeo, Mercutio, Benvolio
  • Slice to Sharp (Jorma Elo)
  • Ssss... (Edward Clug)
  • Swan Lake (John Cranko): Prince's friend
  • The Four Temperaments (George Balanchine): Melancholic
  • The Lady of the Camellias (John Neumeier): Graf N
  • The Taming of the Shrew (John Cranko): Petrucchio, Pas de six
 
Specially created Roles
  • Das Fräulein von S. (Christian Spuck)
  • Il Concertone (Mauro Bigonzetti)
  • Letters of Others (Bridget Breiner)
  • Little Monsters (Demis Volpi)
  • Orlando (Marco Goecke)
  • RED in 3. (Jorma Elo)
  • Yantra (Wayne McGregor)

Specially created Roles at Noverre-Society: Young Choreographers
  • Blender (Katarzyna Kozielska)
  • Meridian (David Moore)
 
Corps de ballet Roles with the Stuttgarter Ballett
  • Bolero (Maurice Béjart)
  • Frank Bridge Variations (Hans van Manen)
  • Giselle (Production: Reid Anderson, Valentina Savina)
  • Initialen R.B.M.E. (John Cranko)
  • La fille mal gardée (Sir Frederick Ashton)
  • Leonce and Lena (Christian Spuck)
  • Onegin (John Cranko)
  • Opus 1 (John Cranko)
  • Requiem (Kenneth MacMillan)
  • Romeo and Juliet (John Cranko): Carnival dance
  • Siebte Sinfonie (Uwe Scholz)
  • Swan Lake (John Cranko)
  • The Lady and the Fool (John Cranko)
  • The Lady of the Camellias (John Neumeier)
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa)
  • The Song of the Earth (Kenneth MacMillan)
  • The Taming of the Shrew (John Cranko): Petrucchio's servant

Roles as a student at the John Cranko Schule
  • Notations I-IV (Uwe Scholz)

OWN CHOREOGRAPHIES

  • Do outro lado World Premiere at Noverre-Society: Young Choreographers on January, 18th, 2013, Stuttgart Ballet
Stuttgarter Ballett, Portrait von Daniel Camargo, Foto: Roman Novitzky