Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions, obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the tickets is no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked in the corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call our Ticket Service:
(+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at all venues generally begin on the same date two months before the day of the performance. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the day before. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at the Staatstheater Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher, the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers for online sales is currently not possible. Please use our alternative sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Tickets can be paid with credit card (American Express, MasterCard, VISA) or SEPA direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 

Magdalena Dziegielewska

Demi Soloist


Magdalena Dziegielewska was born in Warsaw, Poland, where she received her ballet training at the State Ballet School. In addition to that she participated in summer courses in Dresden, Warsaw and Monte Carlo in 1995, 1996 and 1997. In 1997 she continued her training with Marika Besobrasova at the Académie de Danse Classique Princesse Grace in Monte Carlo with a scholarship from the Nureyev-Foundation and graduated in 1999.

Magdalena Dziegielewska participated in several competitions. In 1997 she won the first price in the Senior Class of the Polish Dance Competition as well as the Audience Award at the Eurovision-Price for Young Dancers. A scholarship of the Pierino Ambrosoli Foundation enabled her 1998 to take part in the USA International Ballet Competition in Jackson.

Three months after her graduation Magdalena Dziegielwska joined the Stuttgart Ballet as a member of the Corps de ballet. At the beginning of the 2004/05 season she was promoted to Demi Soloist.

Due to her singing skills she also performed Nina Simone’s Wild is the Wind in Christian Spuck’s Lulu. A Monstre Tragedy in the 2007/08 season.


Solo Roles with the Stuttgart Ballet
  • 5 Tangos (Hans van Manen)
  • A Midsummer Night’s Dream (Jean Christophe Blavier)
  • Bravo Charlie (Marco Goecke)
  • Brouillards (John Cranko): Pas de deux “Les fées sont d’exquises danseuses”
  • Carlotta’s Portrait (Christian Spuck)
  • Dances at a Gathering (Jerome Robbins): Role in Apricot
  • Don Quijote (Maximiliano Guerra): Gypsy as Kitri's Double, Pepa, Queen of the Dryads
  • Forgotten Land (Jiří Kylián)
  • Gaîté parisienne (Maurice Béjart) : Marianne
  • Giselle (Production: Reid Anderson, Valentina Savina): First Wili, Peasant-Pas de deux
  • Initials R.B.M.E. (John Cranko): solo role in the first part 
  • Jeu de cartes (John Cranko): Hearts Queen
  • Krabat (Demis Volpi):Herr Gevatter
  • La Sylphide (Peter Schaufuss after August Bournonville): one of the Two Sylphs, Pas de huit
  • Las Hermanas (Sir Kenneth MacMillan): Magdalena
  • Leonce and Lena (Christian Spuck): Lord Chamberlain
  • Les Sylphides (Michail Fokine): Mazurka
  • Love Songs (William Forsythe)
  • Now and Then (John Neumeier)
  • Orphée et Euridice (Staging, Choreography: Christian Spuck)
  • RED in 3. (Jorma Elo)
  • Romeo and Juliet (John Cranko): Gipsy
  • Seventh Symphony (Uwe Scholz)
  • Swan Lake (John Cranko): Big Swan, Pas de six, Pas de quatre, Princess of Naples
  • Symphony in C (George Balanchine)
  • The Concert (Jerome Robbins)
  • The Four Temperaments (George Balanchine): Second Theme, Sanguinic, Solo Role in Melancholic
  • The Lady of the Camellias (John Neumeier): Prudence
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Ruby, Amethyst, Wisdom Fairy, Strength Fairy
  • The Taming of the Shrew (John Cranko): Pas de six, Street Girl
  • Theme and Variations (George Balanchine): demi-solo role
Specially created Roles
  • Avatar (Matjash Mrozewski)
  • Cindys Gift (Douglas Lee)
  • Das Fräulein von S. (Christian Spuck)
  • dreamdeepdown (Kevin O’Day)
  • Krabat (Demis Volpi)
  • Nautilus (Wayne McGregor)
  • On Velvet (Marcoe Goecke)
  • Orlando (Marco Goecke)
  • RED in 3. (Jorma Elo)
Specially created Role at Noverre-Society: Young Choreographers
  • „6“ (Ivo van Zwieten)
  • Gute Fahrt (Wieslaw Dudek)
  • Slipped by (Kinsun Chan)
Corps de ballet Roles with the Stuttgart Ballet
  • A Streetcar named Desire (John Neumeier)
  • Aftermath (Demis Volpi)
  • Avatar (Matjash Mrozewski)
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides)
  • Das Lied von der Erde (Kenneth MacMillan)
  • Don Quijote (Maximiliano Guerra)
  • Edward II (David Bintley)
  • Giselle (Production: Reid Anderson, Valentina Savina)
  • Goecke at the Chamber: The Nutcracker (Marco Goecke)
  • Hikarizatto (Itzik Galili)
  • Initials R.B.M.E. (John Cranko)
  • Kazimir’s Colours (Mauro Bigonzetti)
  • La Fille mal gardée (Sir Frederick Ashton)
  • La Sylphide (Peter Schaufuss after August Bournonville)
  • Le sacre du printemps (Glen Tetley)
  • Leonce and Lena (Christian Spuck)
  • Les Sylphides (Michail Fokine)
  • Lulu. A Monstre Tragedy (Christian Spuck)
  • Onegin (John Cranko): Nurse a.o.
  • Requiem (Kenneth MacMillan)
  • Romeo and Juliet (John Cranko)
  • Serenade (George Balanchine): Russian Girl
  • Seventh Symphony (Uwe Scholz)
  • Stravinsky Violin Concerto (George Balanchine)
  • Swan Lake (John Cranko): Tarantella and others
  • The Cage (Jerome Robbins)
  • The Lady and the Fool (John Cranko)
  • The Lady of the Camellias (John Neumeier)
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa)
  • Voluntaries (Glen Tetley)
Roles in Monte Carlo
  • Serenade (George Balanchine): Russian Girl
  • Symphony in D (Jiří Kylián)
  • Paquita (Marius Petipa): Pas de deux
Stuttgarter Ballett, Portrait von Magdalena Dziegielewska, Foto: Roman Novitzky