Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions, obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the tickets is no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked in the corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call our Ticket Service:
(+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at the Opernhaus, the Schauspielhaus and at the Liederhalle generally begin on the same date two months before the day of the performance. For performances in all other venues, pre-sales generally begin one month before the performance date. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the daybefore. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at the Statestheatres Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher, the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers for online sales is currently not possible. Please use our alternative sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Tickets can be paid with credit card (American Express, MasterCard, VISA) or direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 

Roman Novitzky



Roman Novitzky was born in Bratislava, Slovakia. He received his education at the Conservatory of Ballet in Bratislava where he graduaded in 2003. Right after his graduation he joined the Ballet of the State Theatre Slovakia where he reached the position of Soloist. Guest Performances led him to Japan, Taiwan and Canada.

In the 2009/10 season Roman Novitzky joined the Stuttgart Ballet’s Corps de ballet. In 2011/12 he was promoted to Demi Soloist, in 2013/14 to Soloist.

For the Noverre-Society’s “Young Choreographers” he created his first own choreography in May 2012: the Pas de deux The Hours was danced by Miriam Kacerova and the choreographer himself. In January 2013 he presented his second choreography at the Noverre-Society: Are you as big as me? This piece was so successful that it was immediately taken into the repertory of the Stuttgart Ballet. 2014 his third choreography for the Noverre-Society … wie zwei Finger an der Hand followed.

In addition Roman Novitzky is one of the official photographers of the Stuttgart Ballet.


Leading and Solo Roles with the Stuttgart Ballet
  • Big Blur (Demis Volpi)
  • Bolero (Maurice Béjart): The Rhythm
  • Das Fräulein von S. (Christian Spuck): La Regnie, President of the Chambre ardente
  • Don Quijote (Maximiliano Guerra): José-Antonio, Camacho, Gypsy Prince
  • Forgotten Land (Jiří Kylián): Couple in Off-White
  • Gaîté Parisienne (Maurice Béjart): Freund, Ludwig II of Bavaria
  • High (Louis Stiens)
  • Krabat (Demis Volpi): Der Meister, Tonda
  • La Sylphide (Peter Schaufuss after August Bournonville): Gurn, Pas de huit
  • Le Sacre du Printemps (Glen Tetley): Solo
  • Leonce and Lena (Christian Spuck): President
  • On Velvet (Marco Goecke)
  • Onegin (John Cranko): Gremin
  • Orphée et Euridice (Staging, Choreography: Christian Spuck)
  • Othello (John Neumeier): Soldier
  • Pas de deux: Onegin (John Cranko)
  • Pas de deux: Radio and Juliet (Edward Clug)
  • Requiem (Kenneth MacMillan): Solo role
  • Return to a strange land (Jiří Kylián): Pas de trois
  • Romeo and Juliet (John Cranko): Tybalt
  • Slice to Sharp (Jorma Elo)
  • Spinto (Demis Volpi)
  • Swan Lake (John Cranko): Companion of the Prince, Cavalier of the Princess of Spain, Cavalier of the Princess of Poland
  • The Four Temperaments (George Balanchine): Third Theme
  • The Lady and the Fool (John Cranko): Officer
  • The Lady of the Camellias (John Neumeier): des Grieux, Manon's Lover
  • The Song of the Earth (Kenneth MacMillan): Solo role
  • The Taming of the Shrew (John Cranko): Hortensio, Pas de six
Specially created Roles
  • Das Fräulein von S. (Christian Spuck): Count Miossens, colonel in the King's guard
  • Double Bass Concerto (Bridget Breiner)
  • Il Concertone (Mauro Bigonzetti)
  • Krabat (Demis Volpi): Michal
  • No Men’s Land (Edward Clug): Solo role
  • Orlando (Marco Goecke)
  • Ssss... (Edward Clug)

Specially created Roles at Noverre-Society: Young Choreographers
  • vague distraction (Joseph Morrissey)
Corps de ballet Roles with the Stuttgart Ballet
  • Bolero (Maurice Béjart)
  • Don Quijote (Maximiliano Guerra)
  • Frank Bridge Variations (Hans van Manen)
  • Giselle (Production: Reid Anderson, Valentina Savina)
  • I fratelli – The Brothers (Mauro Bigonzetti)
  • Initials R.B.M.E. (John Cranko)
  • La Sylphide (Peter Schaufuss after August Bournonville): a.o. James' friend
  • Le Sacre du Printemps (Glen Tetley)
  • Onegin (John Cranko)
  • Opus 1 (John Cranko)
  • Orphée et Euridice (Staging, Choreography: Christian Spuck)
  • RED in 3. (Jorma Elo)
  • Requiem (Kenneth MacMillan)
  • Romeo and Juliet (John Cranko)
  • Siebte Sinfonie (Uwe Scholz)
  • The Lady and the Fool (John Cranko)
  • The Lady of the Camellias (John Neumeier
  • Yantra (Wayne McGregor)
Roles with the Ballet of the State Theatre Slovakia
  • A Midsummernight’s Dream (E. Frey): Lysander
  • La Sylphide (Herman Severin Lovenskjold): James, Gurn
  • Real Time (Lukáš Timulak)
  • Serenade (George Balanchine)
  • Susto (Paul Lightfoot / Sol León)
  • Swan Lake (Lev Ivanov / Marius Petipa): Siegfried
  • The Nutcracker (Fernand Nault): Snow King, Cavalier
  • Un Ballo (Jiří Kylián)
  • a.o.


  • The Hours World premiere at Noverre- Society: Young Choreographers on May 23rd, 2012, Stuttgart Ballet
  • Are you as big as me? World premiere at Noverre- Society: Young Choreographers on January 18th, 2013, Stuttgart Ballet
  • … wie zwei Finger an der Hand World premiere at Noverre- Society: Young Choreographers on July 17th, 2014, Stuttgart Ballet
Stuttgarter Ballett, Portrait von Roman Novitzky, Foto: Roman Novitzky