Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions, obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the tickets is no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked in the corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call our Ticket Service:
(+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at the Opernhaus, the Schauspielhaus and at the Liederhalle generally begin on the same date two months before the day of the performance. For performances in all other venues, pre-sales generally begin one month before the performance date. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the daybefore. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at the Statestheatres Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher, the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers for online sales is currently not possible. Please use our alternative sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
print@home
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Payment
Tickets can be paid with credit card (American Express, MasterCard, VISA) or direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 
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Anna Osadcenko

Principal Dancer

VITA

Anna Osadcenko was born in Alma-Ata in Kazakhstan where she received her first ballet training at the Academie A. B. Selesnew. From September 2000 she attended the John Cranko Schule in Stuttgart, where she graduated in July 2001. In January 2000 Anna Osadcenko participated in the Prix de Lausanne with the Kitri-Variations from Don Quijote (after Marius Petipa) and Pizzicato, a work which was especially created for her by Christian Spuck, resident choreographer of the Stuttgart Ballet and won the Prix de l’espoir.

For her part in the Pas de deux Fanfare LX, Anna Osadcenko was named in the critics’ choice 2014 of the magazine Dance Europe as “Outstanding Dancer”.

After being an apprentice with the Stuttgart Ballet, Anna Osadcenko became a Corps de ballet member in 2002/03. In the season 2005/06 she was promoted to Demi Soloist, in 2007/08 to Soloist and in 2008/09 to Principal Dancer.

REPERTOIRE

Leading Roles with the Stuttgart Ballet
  • Bolero (Maurice Béjart): The Melody
  • Brouillards (John Cranko): Pas de deux „Feuilles Mortes“
  • Dances at a Gathering (Jerome Robbins): Role in Mauve
  • Don Quijote (Maximiliano Guerra): Mercedes, Queen of the Dryads
  • Dream of Galilei (William Forsythe): Pas de trois
  • Dummy Run (Douglas Lee)
  • Fanfare LX (Douglas Lee)
  • Forgotten Land (Jiří Kylián): Couple in White
  • Frank Bridge Variations (Hans van Manen)
  • Gaîté parisienne (Maurice Béjart): Pas de deux "The Lovers", Marianne, Ballerina
  • Giselle (Production: Reid Anderson, Valentina Savina): Giselle, Myrtha
  • Jeu de cartes (John Cranko): Hearts Queen
  • Kazimir's Colours (Mauro Bigonzetti): Pas de deux
  • La fille mal gardée (Sir Frederick Ashton): Lise
  • La Sylphide (Peter Schaufuss, after August Bournonville): The Sylph, First Sylph
  • Las Hermanas (Sir Kenneth MacMillan): Martirio
  • Le Grand Pas de deux (Christian Spuck)
  • Le Sacre du Printemps (Glen Tetley): Pas de deux
  • Leonce und Lena (Christian Spuck): Rosetta, the Governess
  • Les Sylphides (Michail Fokine): Valse
  • Lulu. A Monstre Tragedy (Christian Spuck): Countess Geschwitz
  • melodious gimmick to keep the boys in line (Marc Spradling): Postcard to Bartok
  • Onegin (John Cranko): Tatjana, Olga
  • Opus 1 (John Cranko): female lead
  • Othello (John Neumeier): Emilia
  • Pas de deux: Onegin (John Cranko)
  • Return to a strange land (Jiří Kylián): Pas de trois
  • Ricercare (Glen Tetley)
  • Romeo and Juliet (John Cranko): Juliet, Gipsy, Carnival Dance
  • Swan Lake (John Cranko): Odette/Odile, Pas de six, Pas de quatre
  • Symph (Katarzyna Kozielska)
  • The Four Temperaments (George Balanchine): First and Third Theme, Sanguinic
  • The Lady of the Camellias (John Neumeier): Olympia, Manon Lescaut
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Princess Aurora,Lilac Fairy, the Blue Bird’s Princess, Strength-Fairy
  • The Song of the Earth (Kenneth MacMillan): solo role in the 4th theme
  • The Taming of the Shrew (John Cranko): Katharina, Bianca
  • The Vertiginous Thrill of Exactitude (William Forsythe)
  • Two Pieces for HET (Hans van Manen)
  • Voluntaries (Glen Tetley): Pas de deux
  • Yantra (Wayne McGregor)
 
Specially created Roles
  • Aubade (Douglas Lee)
  • Begegnung (Stéphane Fléchet)
  • Das Fräulein von S. (Christian Spuck): ruby
  • Pizzicato (Christian Spuck)
  • Pocket Concerto (Edward Clug)
  • RED in 3. (Jorma Elo)
  • Ssss... (Edward Clug)
  • The Shaking Tent (Marc Spradling)
 
Specially created Roles at Noverre-Gesellschaft: Young Choreographers
  • „6“ (Ivo van Zwieten)
  • Clepsydre (Stéphen Delattre)

Corps de ballet Roles at the Stuttgart Ballet
  • ..., la peau blanche... (Christian Spuck)
  • A Streetcar named Desire (John Neumeier)
  • Edward II (David Bintley)
  • Gaîté parisienne (Maurice Béjart)
  • Giselle (Production: Reid Anderson, Valentina Savina)
  • Hikarizatto (Itzik Galili)
  • Initials R.B.M.E. (John Cranko)
  • La Fille mal gardée (Sir Frederick Ashton)
  • La Sylphide (Peter Schaufuss, after August Bournonville)
  • Le sacre du printemps (Glen Tetley)
  • Les Sylphides (Michail Fokine)
  • Lulu. A Monstre Tragedy (Christian Spuck)
  • melodious gimmick to keep the boys in line (Marc Spradling)
  • Onegin (John Cranko)
  • Romeo and Juliet (John Cranko)
  • Serenade (George Balanchine)
  • Seventh Symphony (Uwe Scholz)
  • Stravinsky Violin Concerto (George Balanchine)
  • Swan Lake (John Cranko): Tarantella and others
  • Sweet Sweet Sweet (Marco Goecke)
  • Symphony in C (George Balanchine)
  • The Cage (Jerome Robbins)
  • The Concert (Jerome Robbins)
  • The four Temperaments (George Balanchine)
  • The Sandman (Christian Spuck)
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa)
  • The Taming of the Shrew (John Cranko)
 
Roles as a student at the John Cranko Schule
  • Don Quijote (after Marius Petipa): Kitri Variations
  • Light Fandango (Robert North)
  • Paquita (after Marius Petipa): Pas de deux
Stuttgarter Ballett, Portrait von Anna Osadcenko, Foto: Roman Novitzky
IMAGEGALERY OF ANNA OSADCENKO