Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions, obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the tickets is no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked in the corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call our Ticket Service:
(+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at the Opernhaus, the Schauspielhaus and at the Liederhalle generally begin on the same date two months before the day of the performance. For performances in all other venues, pre-sales generally begin one month before the performance date. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the daybefore. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at the Statestheatres Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher, the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers for online sales is currently not possible. Please use our alternative sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
print@home
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Payment
Tickets can be paid with credit card (American Express, MasterCard, VISA) or direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 
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Jason Reilly

Principal Dancer

WILL BE DANCING:

VITA

Jason Reilly was born in Toronto, Canada, where he was trained at the National Ballet School Toronto. During his time as student he already danced in ballets such as The Nutcracker and Pastorale (both: James Kudelka), choreographers such as Glen Gilmour (in Boys Dance), John Neumeier (in Yondering) and David Nixon (in Sudden Impulse) created roles on him.

After his graduation in 1997 he joined the Stuttgart Ballet. In 2000/2001 he was promoted to Demi Soloist, one season later to Soloist. Since the season 2003/04 he has been dancing as Principal Dancer.

With the Stuttgart Ballet Jason Reilly has danced numerous major roles in full-length ballets by renowned choreographers.

Jason Reilly has joined the Stuttgart Ballet on tours and guest performances all around the world. When the Stuttgart Ballet went on it’s tour to the USA in 2003 he gained international acknowledgement for the male title role in John Cranko’s Romeo and Juliet. Furthermore he has danced with internationally renowned female dancers like Alessandra Ferri, Evelyn Hart and Greta Hodgkinson. In the new production of A Streetcar named Desire (John Neumeier) in 2004 he danced the role of Stanley Kowalsky together with Alessandra Ferri. When Canadian star ballerina Evelyn Hart retired from her 30-year-long career and wished to dance the part of Juliet for one last time in April 2004, she asked Jason Reilly to be her Romeo. She also chose him as her dancing partner when she bid farewell to the stage in 2006. In October of the same year, Jason Reilly gave several guest performances of Glen Tetleys Voluntaries with the Royal Ballet in London. In 2007, he danced the role of Petrucchio in John Cranko’s The Taming of the Shrew with the National Ballet of Canada starring Greta Hodgkinson as Kate.

Due to his outstanding interpretation of classical roles in combination with his expression and technical brilliance in modern ballets Jason Reilly was named in the category “Outstanding Dancer” in the annual critics’ choice of the magazine ballettanz several times. In February 2006 Jason Reilly received the German Dance Award “Future”, which is awarded each year by the German Association for Dance Education and the German Association for the Promotion of the Art of Dance.

REPERTOIRE

Leading Roles with the Stuttgart Ballet
  • A Midsummer Night’s Dream (Jean Christophe Blavier)
  • A Streetcar named Desire (John Neumeier): Stanley Kowalski
  • After Rain and Dreams (Paul Julius)
  • Afternoon of a Faun (Jerome Robbins)
  • Air Guitar (Eric Gauthier)
  • Ballet 101 (Eric Gauthier)
  • Bolero (Maurice Béjart): The Melody
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides): Torero
  • Dances at a Gathering (Jerome Robbins): Role in Crimson, Role in Brown
  • das siebte blau (Christian Spuck)
  • Don Quijote (Maximiliano Guerra): Basilio, Prince of the Gipsies
  • Don Quijote-Pas de deux (Maximiliano Guerra)
  • dreamdeepdown (Kevin O’Day)
  • Edward II (David Bintley): Gaveston
  • Fanfare LX (Douglas Lee)
  • Forgotten Land (Jirí Kylián): Couple in Black
  • Frank Bridge Variations (Hans van Manen)
  • Fratres (John Neumeier)
  • Gaîté parisienne (Maurice Béjart) : The Lovers
  • Giselle (Production: Reid Anderson, Valentina Savina): Albrecht, Peasant-Pas de deux
  • Grosse Fuge (Hans van Manen)
  • Hikarizatto (Itzik Galili)
  • Hommage à Bolshoi (John Cranko)
  • Initials R.M.B.E. (John Cranko): R, M
  • Kazimir’s Colours (Mauro Bigonzetti)
  • Kleines Requiem (Hans van Manen)
  • Krabat (Demis Volpi): Master
  • La fille mal gardée (Sir Frederick Ashton): Colas
  • La Sylphide (Peter Schaufuss): Friend, Pas de quatre
  • Las Hermanas (Sir Kenneth MacMillan): Pepe
  • Le sacre du printemps (Glen Tetley): Sacrifice, Pas de deux
  • Legende (John Cranko)
  • Lulu. A Monstre Tragedy (Christian Spuck): Dr. Franz Schöning, Jack the Ripper
  • Mono Lisa (Itzik Galili)
  • No more play (Jirí Kylián)
  • One to another (Douglas Lee)
  • Onegin (John Cranko): Onegin, Gremin
  • Opus 1 (John Cranko): male leading role
  • Orma (Mauro Bigonzetti)
  • Othello (John Neumeier): Othello
  • Pierrot lunaire (Glen Tetley): Brighella
  • Poème de l´Extase (John Cranko)
  • Présence (John Cranko): Roy
  • RED in 3. (Jorma Elo)
  • Requiem (Kenneth MacMillan): solo role in “Offertorium”
  • Romeo and Juliet (John Cranko): Romeo, Benvolio, Carnival prince
  • Serenade (George Balanchine)
  • Seventh Symphony (Uwe Scholz): Solo
  • Slice to Sharp (Jorma Elo)
  • Songs of a wayfarer (Maurice Béjart)
  • Stravinsky Violin Conerto (George Balanchine)
  • Swan Lake (John Cranko): Prince Siegfried
  • Symph (Katarzyna Kozielska)
  • Symphony in C (George Balanchine): Third Movement
  • The Cage (Jerome Robbins): Second Intruder
  • The four Temperaments (George Balanchine): Phlegmatic
  • The Lady and the Fool (John Cranko): Hussar
  • The Lady of the Camellias (John Neumeier): Arman Duval, Gaston Rieux, Des Grieux
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Prince Desiré, Carabosse, The Blue Bird, Ali Baba, 4 Princes
  • The Song of the Earth (Kenneth MacMillan): the male leading role
  • The Taming of the Shrew (John Cranko): Petrucchio
  • The Vertiginous Thrill of Exactitude (William Forsythe)
  • Troy Game (Robert North)
  • Urlicht (William Forsythe)
  • Voluntaries (Glen Tetley): Pas de deux
 
Specially created Roles
  • ..., la peau blanche... (Christian Spuck): Henri IV
  • Boys Dance (Glen Gilmour)
  • Carlotta’s Portrait (Christian Spuck)
  • Curtain of Hands (Douglas Lee)
  • Das Fräulein von S. (Christian Spuck): La Regnie, president of the Chambre ardente
  • das siebte blau (Christian Spuck)
  • Deux (Katarzyna Kozielska)
  • dos amores (Christian Spuck)
  • E=mc2 (Jean Christophe Blavier)
  • Gambling, x 5 (Nicolo Fonte)
  • Hamlet (Kevin O’Day): Hamlet
  • I fratelli – The Brothers (Mauro Bigonzetti): Simone
  • Letters of Others (Bridget Breiner)
  • Lulu. A Monstre Tragedy (Christian Spuck): Rodrigo
  • melodious gimmick to keep the boys in line (Marc Spradling)
  • Nautilus (Wayne McGregor)
  • nocturne (Christian Spuck)
  • Orma (Mauro Bigonzetti)
  • Paper Scissors Stone (Daniela Kurz)
  • Passacaglia (Christian Spuck)
  • Quattro Danze per Nino (Mauro Bigonzetti)
  • RED in 3. (Jorma Elo)
  • Siren Sounding (Douglas Lee)
  • Sleepers Chamber (Christian Spuck)
  • Songs (Christian Spuck)
  • still.nest (Dominique Dumais)
  • Sudden Impulse (David Nixon)
  • Sweet Sweet Sweet (Marco Goecke)
  • The Sandman (Christian Spuck): Coppola
  • The Shaking Tent (Marc Spradling)
  • Yantra (Wayne McGregor)
  • Yondering (John Neumeier)
 
Specially created Roles at Noverre-Society: Young Choreographers
  • After Rains and Dreams (Paul Julius)
  • Air Guitar (Eric Gauthier)
  • amores 1 (Christian Spuck)
  • Ballet 101 (Eric Gauthier)
  • Blankets of clouds (Rolando D’Alesio)
  • David’s Law (Alejandro Cerrudo Martinez)
  • Demigods (Marco Goecke)
  • Ein Licht in der Dunkelheit (Yoko Tani)
  • Fortuna (Selatin Kara)
  • Lebenszeit (Eric Gauthier)
  • Slipped by (Kinsun Chan)
  • Step Addition (Sébastien Galtier)
  • Vapour Plains (Evan McKie)
 
Further Roles with the Stuttgart Ballet
  • Ashes (Daniela Kurz)
  • Vers un Pays Sage (Jean Christophe Maillot)

Stuttgarter Ballett, Portrait von Jason Reilly, Foto: Roman Novitzky
IMAGEGALERY OF JASON REILLY