Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions, obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the tickets is no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked in the corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call our Ticket Service:
(+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at the Opernhaus, the Schauspielhaus and at the Liederhalle generally begin on the same date two months before the day of the performance. For performances in all other venues, pre-sales generally begin one month before the performance date. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the daybefore. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at the Statestheatres Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher, the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers for online sales is currently not possible. Please use our alternative sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
print@home
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Payment
Tickets can be paid with credit card (American Express, MasterCard, VISA) or direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 
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Katarzyna Kozielska

Demi Soloist

VITA

Katarzyna Kozielska was born in Zabrze, Poland. She received her first ballet training at the State Ballet School in Beuthen. In 1999 she attended the John Cranko Schule in Stuttgart where she graduated one year later.

In 2000/01, Katarzyna Kozielska joined the Stuttgart Ballet as an apprentice. She was taken into the Corps de ballet in 2001/02 and promoted to Demi-Soloist in 2006/07.

For the Noverre-Society’s “Young Choreographers” in July 2011 Katarzyna Kozielska created Der richtige Ort for four Stuttgart Ballet dancers which was celebrated by the audience and critics. Since then Der richtige Ort has been shown at various occasions such as Aktion Weihnachten and the Stuttgart Nacht. One year later her second choreography Blender for four Stuttgart Ballet dancers followed. For a Benefit Performance in support of the new building of the John Cranko Schule she choreographed the Pas de deux Deux, in October 2012 the Pas de deux Finger followed. In celebration of John Cage’s 100th birthday, Stuttgart Ballet Artistic Director Reid Anderson commissioned Katarzyna Kozielska to create choreography for Child of Tree, a co-production with the Young Opera of the Stuttgart State Theatre. In 2012 she was also named as Young Choreographer to watch in the dance magazine “Tanz”. In January 2013 she choreographed Symph for the Noverre Society. In the season 2013/14 the work was taken into the Stuttgart Ballett repertory.

REPERTOIRE

Leading Roles and Solo Roles with the Stuttgart Ballet
  • …, la peau blanche… (Christian Spuck): Maria de Medici
  • Don Quijote (Maximiliano Guerra): Cupido
  • Goecke at the Chamber: The Nutcracker (Marco Goecke): Snow Fairy
  • Initials R.B.M.E. (John Cranko): solo role in the fourth part
  • Jeu de Cartes (John Cranko): diamonds two
  • La Sylphide (Peter Schaufuss after August Bournonville)
  • Las Hermanas (Sir Kenneth MacMillan): Magdalena
  • Leonce and Lena (Christian Spuck): School master
  • Othello (John Neumeier): La Primavera, one of the Primaveras
  • Pineapple Poll (John Cranko): Title Role
  • Romeo and Juliet (John Cranko): Gipsy
  • Slice to Sharp (Jorma Elo)
  • Swan Lake (John Cranko): Pas de six
  • The four Temperaments (Georges Balanchine): Second Theme
  • The Sleeping Beauty (Márcia Haydée): Eloquence Fairy, White Cat, Sapphire, Wisdom Fairy
 
Specially created Roles
  • Alben (Marco Goecke)
  • On Velvet (Marcoe Goecke)
  • Sweet Sweet Sweet (Marco Goecke)
  • Two at a time (Cayetano Soto)
  • Viciouswishes (Marco Goecke)
 
Specially created Roles at Noverre-Society: Young Choreographers
  • Années de Pélérinage (Nathan Gardah)
  • Demigods (Marco Goecke)
  • Ickyucky (Marco Goecke)
  • Li Li (Eva Hennung)
  • Temptations (Charles Berry)
 
Corps de ballet Roles with the Stuttgart Ballet
  • A Midsummer Night’s Dream (Jean Christophe Blavier)
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides)
  • Das Fräulein von S. (Christian Spuck)
  • Don Quijote (Maximiliano Guerra)
  • Gaîté parisienne (Maurice Béjart)
  • Giselle (Production: Reid Anderson, Valentina Savina)
  • Goecke at the Kammertheater: The Nutcracker (Marco Goecke)
  • Hikarizatto (Itzik Galili): 4 Russian Girls
  • Initials R.B.M.E. (John Cranko)
  • Kazimir’s Colours (Mauro Bigonzetti)
  • Le sacre du printemps (Glen Tetley)
  • Les Sylphides (Michail Fokine)
  • Lulu. A Monstre Tragedy (Christian Spuck)
  • Onegin (John Cranko)
  • Romeo and Juliet (John Cranko)
  • Serenade (George Balanchine)
  • Seventh Symphony (Uwe Scholz)
  • Stravinsky Violin Concerto (George Balanchine)
  • Swan Lake (John Cranko): Tarantella, the 4 little swans and others
  • Symphony in C (George Balanchine)
  • The four Temperaments (George Balanchine): 2 melancholic girls
  • The Lady of the Camellias (John Neumeier)
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Aurora’s Friend
  • The Taming of the Shrew (John Cranko)
  • Theme and Variations (George Balanchine)
  • Voluntaries (Glen Tetley)

OWN CHOREOGRAPHIES

  • Der richtige Ort World premiere at Noverre-Society: Young Choreographers on July 13th, 2011, Stuttgart Ballet
  • Blender World premiere at Noverre-Society: Young Choreographers on May 23rd, 2012, Stuttgart Ballet
  • Deux World premiere at a Benefit Performance on July 3rd, 2012, Stuttgart Ballet
  • Solo World Premiere at the Galà internazionale di danza Riccione on July, 28th, 2012
  • Finger World premiere at the stuttgartnacht on October 20th, 2012, Stuttgart Ballet
  • Child of Tree Co-production of Junge Oper and Stuttgart Ballet. World premiere on December 14th, 2012, Stuttgart Ballet
  • Symph World premiere at Noverre-Society: Young Choreographers on January 18th,2013, Stuttgart Ballet
  • As yet, not named World premiere at Brooklyn Academy of Music on April 17th, 2013, BalletNext New York
  • Anima World premiere at a Gala in Riga on August 7th, 2013
  • Palpitation Commissioned work. World Premiere during the mixed evening “Where I end and you begin” on May 2nd, 2014, Ballet Augsburg
  • Bite World Premiere at the Gala “Sternstunden des Stuttgarter Balletts” on July 8th, 2014, Stuttgart Ballet
  • A.Memory Commissioned work. World Premiere during the mixed evening “Dance Lab” on May 23rd, 2014, Stuttgart Ballet
Stuttgarter Ballett, Portrait von Katarzyna Kozielska, Foto: Roman Novitzky