Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions, obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the tickets is no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked in the corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call our Ticket Service:
(+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at all venues generally begin on the same date two months before the day of the performance. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the day before. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at the Staatstheater Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher, the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers for online sales is currently not possible. Please use our alternative sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Tickets can be paid with credit card (American Express, MasterCard, VISA) or SEPA direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 

Alicia Amatriain

Principal Dancer


Alicia Amatriain was born in San Sebastian, Spain, where she received her first ballet training. She subsequently attended the John Cranko Schule in Stuttgart and graduated in 1998.

She joined the Stuttgart Ballet as an apprentice in 1998. One year later she was taken into the Stuttgart Ballet’s Corps de ballet. In 2000 she was promoted to Demi Soloist and in 2002 to Principal Dancer.

For her interpretation of Lulu, Alicia Amatriain was named in the critics’ choice of the magazines ballettanz and Dance Europe as “Outstanding Dancer” of the 2003/04 season. In February 2006 she received the German Dance Prize “Zukunft” 2006 (“Future” 2006) and the Premio Revelación in her home town San Sebastian. 2008 followed the Premio Danza & Danza, an award of the Italian journal „Danza & Danza“. In July 2009 Alicia Amatriain was awarded the international dance prize Premio ApuliArte. In the critics’ choice of the magazine Dance Europe 2014 she was named as “Outstanding Dancer” for her interpretation of Katharina in John Cranko’s The Taming of the Shrew. In the season 2015/16 she was awarded the Prix Benois de la Danse and the german theatre price "Der Faust".

Alicia Amatriain is often working together with Renato Arismendi, coach for the classical repertoire. She is also invited to guest and gala performances throughout the world where she has danced with internationally renowned dancers such as Giuseppe Picone, Joel Carreño and Roberto Bolle. In 2005 she danced a.o. several shows as guest star of the English National Ballet as Juliet in Derek Deane’s Romeo and Juliet in the Royal Albert Hall, London. She also performed the title role in Giselle with the Cuban National Ballet, Tatjana in John Cranko’s Onegin at the Teatro Colón in Buenos Aires as well as at her own Gala in Spain.

In September 2015 she was awarded the national title of "Kammertänzerin".


Leading Roles with the Stuttgart Ballet
  • A Midsummer Night’s Dream (Jean Christophe Blavier): Hermia
  • A Streetcar named Desire (John Neumeier): Blanche du Bois
  • Aftermath (Demis Volpi): Solo role
  • Afternoon of a Faun (Jerome Robbins)
  • Allure (Demis Volpi)
  • Apollo (George Balanchine): Terpsichore
  • Bolero (Maurice Béjart): The Melody
  • Concerto for Flute and Harp (John Cranko)
  • Corps (Hans van Manen)
  • Dances at a Gathering (Jerome Robbins): Role in Pink and Role in Mauve
  • Don Quijote (Maximiliano Guerra): Kitri
  • dreamdeepdown (Kevin O’Day)
  • Edward II (David Bintley): Queen Isabella
  • Frank Bridge Variations (Hans van Manen)
  • Gaîté parisienne (Maurice Béjart): Ballerina, Pas de deux “The Lovers”
  • Giselle (Production: Reid Anderson, Valentina Savina): Giselle
  • Initials R.B.M.E. (John Cranko): B., M.
  • Kammerballett (Hans van Manen)
  • La Sylphide (Peter Schaufuss after August Bournonville): The Sylph
  • Le Sacre du Printemps (Glen Tetley): Pas de deux
  • Legende (John Cranko)
  • Leonce and Lena (Christian Spuck): Lena, Governess
  • Onegin (John Cranko): Tatiana
  • Opus 1 (John Cranko): female leading role
  • Othello (John Neumeier): Desdemona
  • Pineapple Poll (John Cranko): Blanche
  • Poème de l`Extase (John Cranko): Diva
  • Requiem (Kenneth MacMillan): diverse solo roles
  • Return to a strange Land (Jiří Kylián): Part 2 and 4
  • Romeo and Juliet (John Cranko): Juliet
  • Serenade (George Balanchine)
  • Siebte Sinfonie (Uwe Scholz): female leading role
  • Slice to Sharp (Jorma Elo)
  • Stravinsky Violin Concerto (George Balanchine): Toccata, Aria I, Capriccio
  • Swan Lake (John Cranko): Odette/ Odile
  • Symphony in C (George Balanchine): 1st and 2nd Movement
  • The Cage (Jerome Robbins): Novice
  • The Four Temperaments (George Balanchine): 3rd Theme, Sanguinic
  • The Lady and the Fool (John Cranko): Lady
  • The Lady of the Camellias (John Neumeier): Marguerite Gautier, Manon, Olympia
  • The Second Detail (William Forsythe)
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Aurora
  • The Song of the Earth (Kenneth MacMillan): female leading role
  • The Taming of the Shrew (John Cranko): Katharina and Bianca
  • The Vertiginous Thrill of Exactitude (William Forsythe)
  • Theme and Variations (George Balanchine)
  • Two Pieces for Het (Hans van Manen)
  • Urlicht (William Forsythe)
  • Variations for two Couples (Hans van Manen)
  • Voluntaries (Glen Tetley): Pas de trois, Pas de deux
  • workwithinwork (William Forsythe)
Specially created Roles
  • A.Memory (Katarzyna Kozielska): Solorole
  • Aus Ihrer Zeit (Demis Volpi)
  • Das Fräulein von S. (Christian Spuck): diamond
  • Deux (Katarzyna Kozielska)
  • Dummy Run (Douglas Lee)
  • E=mc² (Jean Christophe Blavier)
  • EDEN / EDEN (Wayne McGregor)
  • Fanfare LX (Douglas Lee)
  • Goecke at the Kammertheater: The Nutcracker (Marco Goecke): Snow Fairy
  • Hamlet (Kevin O’Day): Ophelia
  • Hikarizatto (Itzik Galili)
  • Il Concertone (Mauro Bigonzetti)
  • Krabat (Demis Volpi): Worschula
  • Lulu. A Monstre Tragedy (Christian Spuck): title role
  • Miniatures (Douglas Lee)
  • Mono Lisa (Itzik Galili)
  • Nautilus (Wayne McGregor)
  • Nightlight (Douglas Lee)
  • nocturne (Christian Spuck)
  • Orlando (Marco Goecke): Queen Elizabeth I.
  • Orphée et Euridice (Staging, Choreography: Christian Spuck): solo role
  • RED in 3. (Jorma Elo)
  • Songs (Christian Spuck)
  • still.nest (Dominique Dumais)
  • The dying Swan (Renato Arismendi after Mikhail Fokine)
  • The Shaking Tent (Marc Spradling)
  • The Soldier's Tale (Demis Volpi): The Devil
  • Yantra (Wayne McGregor)
Specially created Roles at Noverre-Society: Young Choreographers
  • Fortuna (Selatin Kara)
  • Godspeed (Goyo Montero)
  • Ickyucky (Marco Goecke)
  • Love your ground (David Moore)
  • Manomanca (David Moore)
  • Odem (Sarah Grether)
  • Q (Xenia Leydel)
  • Sketched Skin (Wubkje Kuindersma)
  • Slipped by (Kinsun Chan)
  • Soles (Sabrina Matthews)
  • Vapour Plains (Evan McKie)
  • You and me and him (Lior Lev)
Further Roles with the Stuttgart Ballets
  • Brouillards (John Cranko)
  • Don Quijote (Maximiliano Guerra)
  • Kazimir’s Colours (Mauro Bigonzetti)
  • Little Monsters (Demis Volpi)
  • Now and Then (John Neumeier)
  • The Concert (Jerome Robbins)
  • The Firebird (Uwe Scholz)
Roles as a student of the John Cranko Schule
  • In and Out (Hans van Manen)
  • La Bayadère (Marius Petipa)
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Blue Bird-Pas de deux
  • Triptychon (Renato Zanella)
Stuttgarter Ballett, Portrait von Alicia Amatriain, Foto: Roman Novitzky