Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and selectthe number of tickets you would like. An automatic allocation of seats willtake place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area.There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions,obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the ticketsis no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked inthe corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call:
Ticket Service Die Staatstheater Stuttgart  (+49) (0) 711. 20 20 90 Mon – Fri 10 am – 8 pm, Sat10 am – 6 pm

Information on Online Sales

Please examine our General Terms and Conditions as well as the following excepts from the general information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances in the Opernhaus as well as for concerts generally begin on the same date two months before the day of the performance. For performances in all other venues, pre-sales generally begin one month before the performance date. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the daybefore. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri: 10 am –8 pm, Sat: 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternate sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at Staatstheater Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher,the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers is not currently possible for online sales. Please use our alternate sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri: 10 am – 7 pm, Sat: 10am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
print@home
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF-file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ([+49] [0] 711 202090). Operating hours telephone sales office: Mon-Fri 10:00am - 08:00pm; Sat 10:00am- 06:00pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalization during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711.20 20 90, Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm) will be happy to provide you with more information!
Payment
Tickets can be paid with direct debit or credit card (American Express, MasterCard, VISA).
Return / Exchange
We ask that you carefully check your information before authorizing purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 
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Alexander Jones

Principal Dancer

WILL BE DANCING:

Romeo
Romeo

VITA

Alexander Jones was born in Rochford, Essex, Great Britain. He received his ballet training at the Royal Ballet School in London and graduated in 2005. He joined the Royal Ballet School on tours to Japan and New York. He also took part successfully in several competitions. In 2004 he won the gold medal at the Adeline Genée Competition in Athens and he received the Dame Ninette de Valois Prize in 2005.

In 2005/06 Alexander Jones joined the Stuttgart ballet as a member of the Corps de ballet. In the season 2007/08 he was promoted to Demi-Soloist, in 2008/09 to Soloist. After an amazing debut as Romeo in John Cranko’s Romeo and Juliet in April 2011, Artistic Director Reid Anderson promoted Alexander Jones to Principal Dancer from the season 2011/12 on.

REPERTOIRE

Leading Roles with the Stuttgart Ballet
  • Bolero (Maurice Béjart)
  • Brouillards (John Cranko)
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides): Torero
  • Dances at a Gathering (Jerome Robbins): Role in Blue, Role in Purple
  • Das Fräulein von S. (Christian Spuck): Olivier Brusson, Cardillac's assistant and Madelon's lover
  • Don Quijote (Maximiliano Guerra): Basilio, José-Antonio
  • Dummy Run (Douglas Lee)
  • Forgotten Land (Jiří Kylián): Couple in Grey
  • Frank Bridge Variations (Hans van Manen)
  • Fratres (John Neumeier)
  • Gaîté parisienne (Maurice Béjart): Friend, Pas de deux "The Lovers"
  • Giselle (after Coralli, Perrot, Petipa): Albrecht, Hilarion, Peasant-Pas de deux
  • Hamlet (Kevin O’Day): Hamlet
  • Initials R.B.M.E. (John Cranko): R., Second Theme
  • Jeu de cartes (John Cranko)
  • La fille mal gardée (Sir Frederick Ashton): Colas
  • La Sylphide (Peter Schaufuss after August Bournonville): James, Gurn
  • Le Sacre du Printemps (Glen Tetley)
  • Miniatures (Douglas Lee)
  • Mono Lisa (Itzik Galili)
  • My Way (Stephan Thoss)
  • Onegin (John Cranko): Onegin
  • Opus 1 (John Cranko): male lead
  • Orphée et Euridice (Staging, Choreography : Christian Spuck)
  • Othello (John Neumeier): Cassio
  • Poème de l’extase (John Cranko): Vision
  • RED in 3. (Jorma Elo)
  • Romeo and Juliet (John Cranko): Romeo, Count Paris
  • Siebte Sinfonie (Uwe Scholz): male lead
  • Slice to Sharp (Jorma Elo)
  • Songs of a Wayfarer (Maurice Béjart)
  • Swan Lake (John Cranko): Benno, Cavalier of the Princess of Spain
  • The Four Temperaments (George Balanchine): Phlegmatic
  • The Lady and the fool (John Cranko): Moondog, Officer
  • The Lady of the Camellias (John Neumeier): Armand Duval, Gaston Rieux
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Prince of the North, Blue Bird, Cavalier
  • The Song of the Earth (Kenneth MacMillan): the Man
  • The Taming of the Shrew (John Cranko): Petrucchio, Pas de six
  • The Vertiginous Thrill of Exactitude (William Forsythe)
 
Specially created Roles
  • A. Memory (Katarzyna Kozielska): Solo role
  • Hamlet (Kevin O’Day): Horatio
  • Il Concertone (Mauro Bigonzetti)
  • Krabat (Demis Volpi): Tonda
  • Letters of Others (Bridget Breiner)
  • Leviathan (Douglas Lee)
  • No Men’s Land (Edward Clug): Solo role
  • Yantra (Wayne McGregor)

Specially created Roles at Noverre-Society: Young Choreographers
  • Absolute (Brent Parolin)
  • Hope Mountain (Evan McKie)
  • Le Bal de Bals (Selatin Kara)
  • on and on and on (Demis Volpi)
  • Slight Erosion (Brent Parolin)
 
Corps de ballet Roles with the Stuttgart Ballet
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides)
  • Corps (Hans van Manen)
  • Goecke at the Chamber: The Nutcracker (Marco Goecke)
  • I fratelli – The Brothers (Mauro Bigonzetti)
  • Lulu. A Monstre Tragedy (Christian Spuck)
  • Onegin (John Cranko)
  • Requiem (Kenneth MacMillan)
  • Romeo and Juliet (John Cranko)
  • Seventh Symphony (Uwe Scholz)
  • Swan Lake (John Cranko): Prince’s companion
  • The Lady of the Camellias (John Neumeier): Manon’s admirer a.o.
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa)
  • The Taming of the Shrew (John Cranko)
  • Theme and Variations (George Balanchine)
  • Viciouswishes (Marco Goecke)
  • Voluntaries (Glen Tetley)

Stuttgarter Ballett, Portrait von Alexander Jones, Foto: Roman Novitzky
IMAGEGALERY OF ALEXANDER JONES