Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and selectthe number of tickets you would like. An automatic allocation of seats willtake place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area.There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions,obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the ticketsis no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked inthe corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
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Ticket Service Die Staatstheater Stuttgart  (+49) (0) 711. 20 20 90 Mon – Fri 10 am – 8 pm, Sat10 am – 6 pm
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Information on Online Sales

Please examine our General Terms and Conditions as well as the following excepts from the general information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances in the Opernhaus as well as for concerts generally begin on the same date two months before the day of the performance. For performances in all other venues, pre-sales generally begin one month before the performance date. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the daybefore. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri: 10 am –8 pm, Sat: 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternate sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at Staatstheater Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher,the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers is not currently possible for online sales. Please use our alternate sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri: 10 am – 7 pm, Sat: 10am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711.20 20 90, Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm) will be happy to provide you with more information!
Payment
Tickets can be paid with direct debit or credit card (American Express, MasterCard, VISA).
Return / Exchange
We ask that you carefully check your information before authorizing purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 
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DEUTSCH

Alessandra Tognoloni

Demi Soloist

BACK

WILL BE DANCING:

MASTERPIECES
Solo Couples
Fr. 21.06.2013 19:00
sold out - there may be remaining tickets at the box office

VITA

Alessandra Tognoloni was born in Gubbio, Italy. She received her first ballet training from 1992 until 1999 at a private ballet school in her home town. In 1999 she went to the Municipal Ballet School in Florence for one year, afterwards she was trained at the Scuola del Teatro dell’Opera in Rome for another year. In 2001 she attended the John Cranko Schule in Stuttgart where she graduated in 2003. In addition to that she trained at the Broadway Dance Center, New York, for three weeks. In 2000 she attended a summer course at the English National Ballet in London and in 2002 she participated in an exchange programme of the John Cranko-School with the National Ballet of Canada.

She has already been taking part successfully in several competitions. In 1998 she won the first prize an the Praga Dance Festival. She won the second prize at the International Dance Week in Perugia, Italy (1999), as well as at the Polyakon Competition in Florence (2002).

At the beginning of the season 2003/04 Alessandra Tognoloni joined the Stuttgart Ballet as an apprentice. In the following season she was taken into the Corps de ballet. In 2008/09 she was promoted to Demi-Soloist.

In July 2012 Alessandra Tognoloni has been awarded the Premio ApuliArte as “best Italian artist abroad”.

REPERTOIRE

Solo Roles with the Stuttgart Ballet
  • Bravo Charlie (Marco Goecke)
  • Brouillards (John Cranko): Pas de deux “Les fées sont d’exquises danseuses”
  • Dances at a Gathering (Jerome Robbins): Role in Blue
  • Forgotten Land (Jiří Kylián): Couple in Grey
  • Giselle (production: Reid Anderson, Valentina Savina): First Wili
  • Initials R.B.M.E. (John Cranko)
  • Jeu de Cartes (John Cranko)
  • Krabat (Demis Volpi): Herr Gevatter
  • Las Hermanas (Sir Kenneth MacMillan): Amelia
  • Le Sacre du Printemps (Glen Tetley)
  • Leonce and Lena (Christian Spuck): The Gouverness
  • Leonce and Lena (Christian Spuck): The Master of ceremonies
  • Lifecasting (Douglas Lee)
  • Mobile (Tomm Ruud)
  • Orphée et Euridice (Staging, Choreography: Christian Spuck)
  • Romeo and Juliet (John Cranko): Gypsy
  • Slice to Sharp (Jorma Elo)
  • Ssss... (Edward Clug)
  • Swan Lake (John Cranko): Pas de six
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Beauty Fairy, Sapphire
  • The Taming of the Shrew (John Cranko): Pas de six
  • The Vertiginous Thrill of Exactitude (William Forsythe)
 
Specially created Roles
  • Dancer in the Dark (Marco Goecke/Louis Stiens)
  • Hamlet (Kevin O’Day): Woman of the Court
  • Judith (Louis Stiens)
  • Krabat (Demis Volpi)
  • Leviathan (Douglas Lee)
  • Miniatures (Douglas Lee)
  • Orlando (Marco Goecke): one of the allegories
  • veil (Sabrina Matthews)
  • Yantra (Wayne McGregor)

Specially created Roles at Noverre-Society: Young Choreographers
  • 3 Grad (Brent Parolin)
  • EXIT (Igor Kirov)
  • Fragrance (Emil Faski)
  • Hope Mountain (Evan McKie)
  • Step Addition (Sébastien Galtier)
 
Corps de ballet Roles with the Stuttgart Ballet
  • A Streetcar named Desire (John Neumeier)
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides)
  • das siebte blau (Christian Spuck)
  • Don Quijote (Maximiliano Guerra)
  • Frank Bridge Variations (Hans van Manen)
  • Gaîté parisienne (Maurice Béjart)
  • Giselle (Production: Reid Anderson, Valentina Savina)
  • Goecke at the Chamber: The Nutcracker (Marco Goecke)
  • I fratelli – The Brothers (Mauro Bigonzetti): Prostitute
  • Kazimir’s Colours (Mauro Bigonzetti)
  • La fille mal gardée (Sir Frederick Ashton)
  • La Sylphide (Peter Schaufuss after August Bournonville)
  • Le sacre du printemps (Glen Tetley)
  • Leonce and Lena (Christian Spuck)
  • Lulu. A Monstre Tragedy (Christian Spuck)
  • Onegin (John Cranko)
  • RED in 3. (Jorma Elo)
  • Requiem (Kenneth MacMillan)
  • Romeo and Juliet (John Cranko)
  • Seventh Symphony (Uwe Scholz)
  • Symphony in C (George Balanchine)
  • The Cage (Jerome Robbins)
  • The Four Temperaments (George Balanchine)
  • The Lady of the Camellias (John Neumeier)
  • The Sandman (Christian Spuck)
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa)
  • The Song of the Earth (Kenneth MacMillan)
  • The Taming of the Shrew (John Cranko)
  • Theme and Variations (George Balanchine): Corps de ballet, Demi-Solo
Stuttgarter Ballett, Portrait von Alessandra Tognoloni, Foto: die arge lola