Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and selectthe number of tickets you would like. An automatic allocation of seats willtake place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area.There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions,obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the ticketsis no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked inthe corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call:
Ticket Service Die Staatstheater Stuttgart  (+49) (0) 711. 20 20 90 Mon – Fri 10 am – 8 pm, Sat10 am – 6 pm

Information on Online Sales

Please examine our General Terms and Conditions as well as the following excepts from the general information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances in the Opernhaus as well as for concerts generally begin on the same date two months before the day of the performance. For performances in all other venues, pre-sales generally begin one month before the performance date. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the daybefore. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri: 10 am –8 pm, Sat: 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternate sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be used as a form of payment for one or more performances at Staatstheater Stuttgart. You can even use them to pay for subscriptions and merchandising products. Gift vouchers can be transferred to third parties and can be redeemed without any time limit until cancelled. If the order total is greater than the value of the gift voucher,the difference can be paid out. Remaining balances will be repaid in the form of a gift voucher. Redeeming gift vouchers is not currently possible for online sales. Please use our alternate sales channels for this purpose.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri: 10 am – 7 pm, Sat: 10am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
print@home
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF-file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ([+49] [0] 711 202090). Operating hours telephone sales office: Mon-Fri 10:00am - 08:00pm; Sat 10:00am- 06:00pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalization during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711.20 20 90, Mon – Fri: 10 am – 8 pm, Sat: 10 am – 6 pm) will be happy to provide you with more information!
Payment
Tickets can be paid with direct debit or credit card (American Express, MasterCard, VISA).
Return / Exchange
We ask that you carefully check your information before authorizing purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 
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William Moore

Principal Dancer

VITA

William Moore was born in Royal Leamington Spa, Warwickshire, Great Britain. He received his first ballet lessons at the Oakley School of Dance in Leamington Spa. In 1997 he attended the Royal Ballet School in London where he graduated in 2005.

He successfully participated in several competitions. In 2001 he came in fourth at the Young British Dancer of the Year Competition and finished first at the Phyllis Beddels Competition one year later. In 2004 he won silver medals at the Roseta Mauri Competition in Spain and at the Adeliné Genée Competition in Athens.

Since September 2005 William Moore has been dancing with the Stuttgart Ballet’s Corps de ballet. At the beginning of the season 2006/07 he was promoted to Demi Soloist, in 2009/10 to Soloist. Only one season later, in 2010/11, his promotion to Principal Dancer followed.

William Moore has joined the Stuttgart Ballet on tours to Holland, England, Singapore, Thailand, Spain, Switzerland, France, Japan, South Korea and various cities in Germany. In March 2009 William Moore and Rachele Buriassi received an invitation to the Erik Bruhn-Award in Canada, where they performed La Grande Parade du Funk, choreographed by Bridget Breiner on that occasion, and the Pas de deux in the Third Act from Swan Lake (John Cranko).

For the Noverre-Society’s „Young Choreographers“ he created a choreography together with Nicholas Jones: both choreographer also danced the premiere of Anonym in May 2012.

REPERTOIRE

Leading Roles with the Stuttgart Ballet
  • Äffi (Marco Goecke)
  • Bolero (Maurice Béjart)
  • Brouillards (John Cranko): Solo “Bruyères”
  • Dances at a Gathering (Jerome Robbins): Role in Brick
  • das siebte blau (Christian Spuck)
  • Forgotten Land (Jiří Kylián): Couple in White
  • Frank Bridge Variations (Hans van Manen)
  • Fratres (John Neumeier
  • Gaîté parisienne (Maurice Béjart): two of the Friends
  • Giselle (production: Reid Anderson, Valentina Savina): Albrecht
  • Giselle (Production: Reid Anderson, Valentina Savina): Peasant-Pas de deux
  • Hamlet (Kevin O’Day): Horatio
  • I fratelli – The Brothers (Mauro Bigonzetti): Vincenzo, Friend of Simone’s, Boxing Adversary
  • Initials R.B.M.E. (John Cranko)
  • Initials R.B.M.E. (John Cranko): E.
  • Jeu de cartes (John Cranko)
  • La fille mal gardée (Sir Frederick Ashton): Colas
  • La Sylphide (Peter Schaufuss after August Bournonville): Gurn
  • Leonce and Lena (Christian Spuck): Leonce
  • Letters of Others (Bridget Breiner)
  • Lifecasting (Douglas Lee)
  • Lulu. A Monstre Tragedy (Christian Spuck): Eduard Schwarz
  • Nightlight (Douglas Lee)
  • Onegin (John Cranko): Lenski
  • Opus 1 (John Cranko): male lead
  • Orlando (Marco Goecke): title role
  • Orphée et Euridice (Staging, Choreography: Christian Spuck): main Amor Boy
  • Othello (John Neumeier): Cassio
  • Poème de l’extase (John Cranko): Young Boy in Love
  • Romeo and Juliet (John Cranko): Benvolio, Mercutio
  • Siebte Sinfonie (Uwe Scholz)
  • Slice to Sharp (Jorma Elo)
  • Song of my People Forest People – Sea (John Cranko): Pas de trois
  • Swan Lake (John Cranko): Benno, companion of the Prince, cavalier of the Princess of Spain
  • Swan Lake (John Cranko): Prince Siegfried
  • The Lady and the Fool (John Cranko): Host
  • The Lady of the Camellias (John Neumeier): Armand Duval
  • The Lady of the Camellias (John Neumeier): Count N.
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Blue Bird, Prince of the North, Cavalier
  • The Taming of the Shrew (John Cranko): Lucentio
  • The Taming of the Shrew (John Cranko): Servant of Petrucchio
 
Specially created Roles
  • Aria (Douglas Lee)
  • Big Blur (Demis Volpi): solo role
  • Das Fräulein von S. (Christian Spuck): Olivier Brusson, Cardillac's assistant and Madelon's lover
  • Goecke at the Chamber: The Nutcracker (Marco Goecke): Nutcracker
  • Miniatures (Douglas Lee)
  • Orlando (Marco Goecke): Shelmerdine
  • Orphée et Euridice (Staging, Choreography: Christian Spuck)
  • Pocket Concerto (Edward Clug)
  • RED in 3. (Jorma Elo)
  • Sleepers Chamber (Christian Spuck)
  • Ssss... (Edward Clug)
  • Viciouswishes (Marco Goecke)
 
Specially created Roles at Noverre-Society: Young Choreographers
  • Duet For Six (Armando Braswel)
  • from me to you (Demis Volpi)
  • Le Bal de Bals (Selatin Kara)
  • Li Li (Eva Henning)
  • One (Damiano Pettenella)
  • swish (Demis Volpi)
 
Corps de ballet Roles with the Stuttgart Ballet
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides)
  • Corps (Hans van Manen)
  • Initials R.B.M.E. (John Cranko)
  • La fille mal gardée (Sir Frederick Ashton)
  • La Sylphide (Peter Schaufuss after August Bournonville)
  • Lulu. A Monstre Tragedy (Christian Spuck)
  • Onegin (John Cranko)
  • Présence (John Cranko): Doctor
  • Requiem (Kenneth MacMillan)
  • The Lady of the Camellias (John Neumeier)
  • The Sandman (Christian Spuck)
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa)
  • The Song of the Earth (Kenneth MacMillan)
  • The Taming of the Shrew (John Cranko): Pas de six
  • Theme and Variations (George Balanchine)
  • Voluntaries (Glen Tetley)
  • Yantra (Wayne McGregor)

OWN CHOREOGRAPHIES

  • Anonym World premiere at Noverre-Society: Young Choreographers on May 23rd, 2012, Stuttgart Ballet

Stuttgarter Ballett, Portrait von William Moore, Foto: Sébastien Galtier
IMAGEGALERY OF WILLIAM MOORE