Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site.

Information on Online Sales

Please examine our General Terms and Conditions and our information regarding privacy policy (in German) as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at all venues generally begin on the same date two months before the day of the performance. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the day before. Binding orders with a SEPA Direct Debit mandate will start to be processed two weeks before ticket pre-sales begin. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be transferred to third parties and are valid up to three years after the issue date. The period begins on December 31 of the year the certificate has been purchased. An extension of this period is excluded. The disbursement of the certificate value is not possible. The monetary value will be offset against the price (higher differences must be paid). Existing remaining amounts are disbursed as another gift certificate. A later setting-off of a certificate to a purchase already made is not possible. Gift certificates cannot be used for the purchase of further certificates.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Tickets can be paid with credit card (American Express, MasterCard, VISA) or SEPA direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 

Angelina Zuccarini



Angelina Zuccarini was born in Michigan, USA. She received her first ballet training at the age of three. In 1996 she went to the Academy of Dance Arts in Downers Grove, Illinois. In 2001 she won First Place in the semi-final at the Youth American Grand Prix in Chicago. In 2003 she won the same competition in New York and was given a scholarship for the John Cranko Schule. Thus she came to Stuttgart, where she graduated in 2005.

In the season 2005/06 Angelina Zuccarini became an apprentice with the Stuttgart Ballet and was taken into the Corps de ballet one year later. Her promotion to Demi Soloist followed in 2009/10, in 2013/14 she became Soloist.


Leading Roles and Solo Roles with the Stuttgart Ballet
  • A Streetcar named Desire (John Neumeier): Stella
  • Brouillards (John Cranko): Les fees sont d’exquisite danseuses
  • Dances at a Gathering (Jerome Robbins): Role in Apricot
  • Don Quijote (Maximiliano Guerra): Pepa, Gypsy as Kitri's Double
  • Forgotten Land (Jiří Kylián): Couple in Pink
  • Gaîté parisienne (Maurice Béjart): Young Girl in White
  • Giselle (production: Reid Anderson, Valentina Savina): Myrtha, Peasant-Pas de deux
  • Initials R.B.M.E. (John Cranko): Solo roles in R., B., and E.
  • Kammerballett (Hans van Manen)
  • La fille mal gardée (Sir Frederick Ashton): Lise
  • La grande Parade du Funk (Bridget Breiner)
  • La Sylphide (Peter Schaufuss after August Bournonville): Pas de huit
  • Leonce and Lena (Christian Spuck): Rosetta, Master of ceremonies
  • Lulu. A Monstre Tragedy (Christian Spuck): Solo Paris society
  • Matchbox (Louis Stiens)
  • Onegin (John Cranko): Olga
  • Orphée et Euridice (Staging, Choreography: Christian Spuck)
  • Pineapple Poll (John Cranko): Poll
  • Qi (Louis Stiens)
  • Romeo and Juliet (John Cranko): Gypsy, Carnival dance
  • Salome (Demis Volpi): Herodias
  • Seventh Symphony (Uwe Scholz)
  • Slice to Sharp (Jorma Elo)
  • Ssss... (Edward Clug)
  • Swan Lake (John Cranko): Pas de six, Little Swan, Princess of Naples
  • The Four Temperaments (George Balanchine): Solo role in Melancholic, Choleric
  • The Lady and the Fool (John Cranko)
  • The Lady of the Camellias (John Neumeier): Prudence Duvernoy
  • The Second Detail (William Forsythe)
  • The Sleeping Beauty (Marcia Haydée after Marius Petipa): Wisdom Fairy, Ruby, Emerald
  • The Song of the Earth (Kenneth MacMillan): Solo role
  • The Taming of the Shrew (John Cranko): Pas de six, Street Girl
  • The Vertiginous Thrill of Exactitude (William Forsythe)
  • workwithinwork (William Forsythe)
Specially created Roles
  • Alben (Marco Goecke)
  • Almost Blue (Marco Goecke)
  • Big Blur (Demis Volpi): Solo role
  • Dancer in the Dark (Marco Goecke/Louis Stiens): Brenda
  • Das Fräulein von S. (Christian Spuck): Emerald
  • Firebird (Sidi Larbi Cherkaoui)
  • Hamlet (Kevin O’Day): Woman of the Court
  • High (Louis Stiens)
  • I fratelli – The Brothers (Mauro Bigonzetti): Prostitute
  • Il Concertone (Mauro Bigonzetti)
  • Krabat (Demis Volpi): Pumphutt
  • Last Romance (Louis Stiens)
  • Matchbox (Louis Stiens)
  • Orphée et Euridice (Staging, Choreography: Christian Spuck)
  • RED in 3. (Jorma Elo)
  • Skinny (Louis Stiens): Solo Role
  • Sleepers Chamber (Christian Spuck)
  • Spinto (Demis Volpi)
  • The Broadway Baby (Bridget Breiner / Demis Volpi)
  • Two at a time (Cayetano Soto)
  • Yantra (Wayne McGregor)
Specially created Roles at Noverre-Society: Young Choreographers
  • After Rain and Dreams (Paul Julius)
  • Dearest (David Moore)
  • In for the Thrill (Alexander Mc Gowan)
  • Le Bal de Bals (Selatin Kara)
  • on and on and on (Demis Volpi)
  • swish (Demis Volpi)
Corps de ballet Roles with the Stuttgart Ballet
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides)
  • das siebte blau (Christian Spuck)
  • Die Kameliendame (John Neumeier)
  • Don Quijote (Maximiliano Guerra)
  • Frank Bridge Variations (Hans van Manen)
  • Gaîté parisienne (Maurice Béjart)
  • Giselle (Production: Reid Anderson, Valentina Savina)
  • Goecke at the Chamber: The Nutcracker (Marco Goecke)
  • I fratelli – The Brothers (Mauro Bigonzetti)
  • Initials R.B.M.E. (John Cranko)
  • Kazimir’s Colours (Mauro Bigonzetti)
  • La fille mal gardée (Sir Frederick Ashton)
  • La Sylphide (Peter Schaufuss after August Bournonville)
  • Le Sacre du Printemps (Glen Tetley)
  • Lulu. A Monstre Tragedy (Christian Spuck)
  • Onegin (John Cranko)
  • Requiem (Kenneth MacMillan)
  • Romeo and Juliet (John Cranko)
  • Seventh Symphony (Uwe Scholz)
  • Swan Lake (John Cranko)
  • The Lady and the Fool (John Cranko)
  • The Sandman (Christian Spuck)
  • The Sleeping Beauty (Marcia Haydée after Marius Petipa)
  • The Song of the Earth (Kenneth MacMillan)
  • The Taming of the Shrew (John Cranko)
  • Theme and Variations (George Balanchine)
Further Roles
  • Eclipse (Eric Gauthier) with Gauthier Dance, Theaterhaus Stuttgart
Stuttgarter Ballett, Portrait von Angelina Zuccarini, Foto: Roman Novitzky