Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats. Numbered seats are generally located next to each other. If your computer is having problems with Java, then the best available seat booking will automatically take place.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them. Seating chart booking is not offered for some events.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site. Normally this involves seats, however in some cases standing room will also be available.
Seat or Standing Room, Depending on Availability
In this price category, seats are predominantly offered (but not guaranteed). In some circumstances, standing room tickets at the same price are also sent. An exact request regarding standing room or a seat unfortunately cannot be fulfilled in this context. A later exchange of the tickets delivered is not possible.
Obstructed Views/Supertitles
Due to building conditions or the demands of individual productions, obstructed views (including of the supertitles that are used in numerous performances) are possible from certain seats. Please inquire about potential impairments at
(+49) (0)711. 20 20 90 (Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm).
No Longer Available for Delivery
means that the event is taking place soon and that shipment of the tickets is no longer possible. Please select “Pick up tickets” as an alternative.
Only 1 Ticket Can be Selected / Individual Seat
Only individual seats (no groups of adjoining seats) can still be booked in the corresponding category using the best available seat booking. Individual seats are scattered vacancies. Even if a greater number are available, these seats are not adjoining. Adjoining seats might still be available using the seating chart booking.
Any more questions?
Call our Ticket Service:
(+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at all venues generally begin on the same date two months before the day of the performance. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the day before. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be transferred to third parties and are valid up to three years after the issue date. The period begins on December 31 of the year the certificate has been purchased. An extension of this period is excluded. The disbursement of the certificate value is not possible. The monetary value will be offset against the price (higher differences must be paid). Existing remaining amounts are disbursed as another gift certificate. A later setting-off of a certificate to a purchase already made is not possible. Gift certificates cannot be used for the purchase of further certificates.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Tickets can be paid with credit card (American Express, MasterCard, VISA) or SEPA direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 
Stuttgarter Ballett, Photo: Edward Clug, Maurice Béjart, Demis Volpi





Edward Clug
Milko Lazar (Auftragskomposition)
Thomas Mika
Stefan Seyrich-Hofmeister


Maurice Béjart
Gustav Mahler
11. März 1971, Ballet du XXe Siècle, Brüssel
25. April 1976


Michael Gordon (Auftragskomposition)
Stefan Seyrich-Hofmeister
Seit über 20 Jahren hat das Stuttgarter Ballett Maurice Béjarts Lieder eines fahrenden Gesellen nicht mehr getanzt. Nun kehrt dieser ausdrucksstarke, intensive und schlicht wunderschöne Pas de deux für zwei Herren auf die Bühne des Opernhauses zurück. Ursprünglich für die Ballettlegenden Paolo Bortoluzzi und Rudolf Nurejew kreiert, stellt dieses Werk die Suche eines jungen Mannes nach sich selbst und seinen Kampf gegen die Einsamkeit dar. Gustav Mahlers gleichnamige, der Choreographie zugrunde liegende Lieder nehmen unter den Liederzyklen, die er komponierte, einen besonderen Platz ein. Immerhin dichtete der Komponist ausnahmsweise die Texte selbst, und so erkennt man hier wie in keinem anderen Werk Mahlers autobiographische Züge.

Fahrende Gesellen, so könnte man auch Demis Volpi und Edward Clug bezeichnen, die das Repertoire des Stuttgarter Balletts im Rahmen dieses Ballettabends um zwei neue Stücke erweitern werden. Natürlich haben beide eine künstlerische Heimat – Demis Volpi wurde erst kürzlich zum Hauschoreographen des Stuttgarter Balletts ernannt, Edward Clug leitet als Direktor das Ballett Maribor – und doch sind sie wie alle Künstler Reisende: Immer auf der Suche nach Inspiration, häufig unterwegs, zu Gast auf den Bühnen der Welt. Auch in musikalischer Hinsicht streben die beiden Choreographen stets nach neuen Ausdrucksmöglichkeiten und so haben beide für ihre Uraufführungen Kompositionen in Auftrag gegeben. Der renommierte amerikanische Komponist Michael Gordon, dessen Musik sowohl vom New Yorker Underground-Rock als auch von einem Studium an der Yale-University geprägt ist, wird die Klänge zu Volpis neuem Stück kreieren. Die musikalische Grundlage zu Edward Clugs Choreographie liefert der slowenische von Klassik und Jazz beeinflusste Komponist Milko Lazar, mit dem Clug regelmäßig zusammenarbeitet.

Edward Clug gab sein choreographisches Debüt 1998 gleich mit einem abendfüllenden Ballett: Tango für das Ballettensemble des Slowenischen Staatstheaters Maribor. Es folgten weitere Arbeiten für diese Compagnie, darunter auch Radio and Juliet (2005), eine avantgardistische Annäherung an Romeo und Julia. Edward Clug choreographierte weitere Ballette für Ensembles in Japan, Slowenien, Holland, Portugal, Schweiz, Deutschland und arbeitete mit Tänzern des Mariinsky Theaters St. Petersburg. Nach Pocket Concerto und Ssss… kreiert er nun sein drittes Werk für das Stuttgarter Ballett.

„Ich suche ständig nach etwas Neuem“, sagt der in Buenos Aires geborene Demis Volpi. Er ist Absolvent der John Cranko Schule und wurde in der Spielzeit 2004/05 als Tänzer ans Stuttgarter Ballett engagiert. Schon früh machte er mit Choreographien für die Stuttgarter Noverre-Gesellschaft auf sich aufmerksam. 2010 kreierte er seine erste Uraufführung für das Stuttgarter Ballett: Big Blur. Bald arbeitete er auch international, präsentierte seine einfühlsamen und sensiblen Choreographien u.a. in New York und Santiago de Chile. Zum Hauschoreographen wurde er nach der Uraufführung seines ersten großen Handlungsballetts Krabat im März 2013 ernannt.