Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site.

Information on Online Sales

Please examine our General Terms and Conditions and our information regarding privacy policy (in German) as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at all venues generally begin on the same date two months before the day of the performance. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the day before. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be transferred to third parties and are valid up to three years after the issue date. The period begins on December 31 of the year the certificate has been purchased. An extension of this period is excluded. The disbursement of the certificate value is not possible. The monetary value will be offset against the price (higher differences must be paid). Existing remaining amounts are disbursed as another gift certificate. A later setting-off of a certificate to a purchase already made is not possible. Gift certificates cannot be used for the purchase of further certificates.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Tickets can be paid with credit card (American Express, MasterCard, VISA) or SEPA direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
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  • Cookies activated. -> Privacy policy (in german)
  • Please do not use your browser’s ‘Back’ button!
Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 



Stuttgarter Ballett, Photo: Stuttgarter Ballett


LONDON 2013: The Taming of the Shrew double show on Saturday

See more photos from Saturday in our photo gallery!

LONDON 2013: The Taming of the Shrew (Friday)
Stuttgarter Ballett, Photo: Stuttgarter Ballett
Our stage inspector Cemile Soylu
on the "Taming"-horse

Email from our stage inspector Cemile Soylu:

This tour to London is the first time I am on tour with the Stuttgart Ballet. I’m feeling really good and it’s a lot of fun.
Of course, on tour you spend much more time together than in Stuttgart and so you get to know your colleagues from the other departments and also the dancers a little better, this intense contact creates a wonderful sense of community.
The english colleagues here at the theatre are very friendly, and they also work together with us in a very professional way. What I find exciting are the cross-national similarities in our workflows.
All the set changes have worked out really well until now.

There hasn’t been too much time to discover London, but fortunately my mini-sightseeing-tour was accompanied by sunshine.


LONDON 2013: Stage rehearsal for The Taming of the Shrew
Stuttgarter Ballett, Photo: Roman Novitzky
Elisa Badenes and David Moore rehearsing
Taming of the Shrew in the studio

Last night was our only free evening in London which many dancers used for sightseeing.

Today we are continuing rehearsals for Taming of the Shrew and this evening we have our first rehearsal with the orchestra!

LONDON 2013: Rehearsing The Taming of the Shrew
Stuttgarter Ballett, Photo: Roman Novitzky
Tamas Detrich during a rehearsal of The Taming of the
Shrew with Alicia Amatriain and Alexander Jones
while Rachele Buriassi is watching

We have now completed the first half of our tour with two performances of Made in Germany behind us.

Last night's performance was in many ways special: Robert Robinson was heartily - and loudly - cheered by his family and friends who had come in great numbers to see him dance Marco Goecke's Äffi.
The "M" section of Cranko's Initials brought a collective sigh from the audience as Maria Eichwald and Evan McKie gave a superb and soulful rendering of this pas de deux and the corps danced with perfect unison, not only of steps but also of feeling.
Sue Jin Kang and Marijn Rademaker danced the final pas de deux of Lady of the Camellias as if their lives depended on it and Alicia Amatriain and Jason Reilly brought cheers and gasps of wonder (in both Grand Pas de Deux as well as Mono Lisa!) from an entire class of ballet students who had obviously been brought by their teacher to watch the company.
On Monday night many dancers from the Royal Ballet were to be seen in the audience - including Ivan Putrov, Federico Bonelli and Edward Watson - and on Tuesday evening Tamara Rojo, Artistic Director of English National Ballet, attended and stopped by backstage to speak to our dancers, many of whom she knows from the international gala circuit.
Several members of the Stuttart Ballet family have also come by, among other former Principal Dancer Wolfgang Stollwitzer and Klaus Göldenbot, former Chairman of the John Cranko Society.

Today the technicians are building up the sets for Taming of the Shrew and the company is rehearsing all three casts which will dance on the weekend!

Warmest regards from the entire Stuttgart Ballet to our friends and fans at home!


LONDON 2013: Half-time

The first performance at Sadler's Wells is over. Take a look at the photos from Monday in the photo gallery!

LONDON 2013: Monday, November 18th
Stuttgarter Ballett, Photo: Stuttgarter Ballett

We had a wonderful welcome to Sadler’s Wells Theatre as there is a plaque of John Cranko and a sculpture of his chair standing right in the entrance of the stage door along with sculptures of other famous choreographers. Cranko made many of his first ballets here before he came to Stuttgart and it is heartwarming to know that he is not forgotten! The text accompanying the plaque says it all. As Reid Anderson always says: "No matter where we go in the world, we find the Stuttgart Ballet!"
After exploring the theater to find our way around and a stage rehearsal in the evening there was a tiny bit of time to see London by night. The city is gearing up for the holiday season!
On the photo you see our head of the technical crew Axel Schob and his deputy Cemile Soylu as well as lighting master Stefan Seyrich during the technical set up and load in on Sunday. As always they are working hard to make everything perfect for the show.


LONDON 2013: Arrival at Sadler's Wells