Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site.

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at all venues generally begin on the same date two months before the day of the performance. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the day before. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be transferred to third parties and are valid up to three years after the issue date. The period begins on December 31 of the year the certificate has been purchased. An extension of this period is excluded. The disbursement of the certificate value is not possible. The monetary value will be offset against the price (higher differences must be paid). Existing remaining amounts are disbursed as another gift certificate. A later setting-off of a certificate to a purchase already made is not possible. Gift certificates cannot be used for the purchase of further certificates.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Tickets can be paid with credit card (American Express, MasterCard, VISA) or SEPA direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 

Elizabeth Wisenberg

Demi Soloist


Elizabeth Wisenberg was born in Waterbury, Connecticut, USA. She started her ballet training at the Mayra Northern Classical Ballet School, San Antonio, Texas where she studied from 1992 until 1999. She continued her dance education at the Washington School of Ballet until 2003 and went to the National Ballet School of Canada for another year.

She took part in different competitions. In 2001 she won the bronze medal in the junior division at the Youth American Grand Prix and in 2003 the silver medal in the senior division at the National Youth Ballet Competition.

Elizabeth Wisenberg had her first engagement as a professional dancer from 2004 until 2006 at the Boston Ballet where she danced in the Corps de ballet.

In the season 2006/07 she became member of the Corps de ballet with the Stuttgart Ballet. In 2013/14 she was promoted to Demi Soloist.


Leading and Solo Roles with the Stuttgart Ballet
  • Don Quijote (Maximiliano Guerra): Gypsy as Kitri's Double, Cupid, Pepa
  • Forgotten Land (Jiří Kylián): Couple in Pink
  • Giselle (after Coralli, Perrot, Petipa): Peasant Pas de deux, Second Wili
  • Krabat (Demis Volpi): Kantorka
  • La Sylphide (Peter Schaufuss after August Bournonville): Effie, Pas de huit
  • Leonce and Lena (Christian Spuck): Lena, Lord Chamberlain
  • On Velvet (Marco Goecke)
  • Onegin (John Cranko): Olga
  • Orlando (Marco Goecke): Princess Sasha
  • Orphée et Euridice (Staging, Choreography: Christian Spuck)
  • Othello (John Neumeier): La Primavera
  • Romeo and Juliet (John Cranko): Rosalinde
  • Swan Lake (John Cranko): Pas de six, Small Swan
  • swish (Demis Volpi)
  • The Four Temperaments (George Balanchine): Solo Role in Melancholic, Second Theme
  • The Lady of the Camellias (John Neumeier): Olympia
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Grace Fairy, Aurora's friend, Cat
  • The Soldier's Tales (Demis Volpi): Wife
  • The Song of the Earth (Kenneth MacMillan): Solo role
Specially created Roles
  • Aftermath (Demis Volpi)
  • Big Blur (Demis Volpi): solo role
  • Das Fräulein von S. (Christian Spuck)
  • Hamlet (Kevin O’Day): Woman of the Court
  • Krabat (Demis Volpi)
  • Orlando (Marco Goecke)
  • Orphée et Euridice (Staging, Choreography: Christian Spuck)
  • RED in 3. (Jorma Elo)
Specially created Roles at Noverre-Society: Young Choreographers
  • from me to you (Demis Volpi)
  • palpaple leers (Demis Volpi)
Corps de ballet Roles with the Stuttgart Ballet
  • A Streetcar named Desire (John Neumeier)
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides)
  • Das Fräulein von S. (Christian Spuck)
  • Don Quijote (Maximiliano Guerra)
  • Frank Bridge Variations (Hans van Manen)
  • Gaîté parisienne (Maurice Béjart)
  • Goecke at the Chamber: The Nutcracker (Marco Goecke)
  • Il Concertone (Mauro Bigonzetti)
  • Initials R.B.M.E. (John Cranko)
  • La fille mal gardée (Sir Frederick Ashton)
  • La Sylphide (Peter Schaufuss after August Bournonville)
  • Le Sacre du Printemps (Glen Tetley)
  • Leonce and Lena (Christian Spuck)
  • Onegin (John Cranko)
  • Opus 1 (John Cranko)
  • Poème de l’extase (John Cranko)
  • Requiem (Kenneth MacMillan)
  • Romeo and Juliet (John Cranko)
  • Siebte Sinfonie (Uwe Scholz)
  • Swan Lake (John Cranko)
  • The Lady and the Fool (John Cranko)
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa)
  • The Song of the Earth (Kenneth MacMillan)
  • The Taming of the Shrew (John Cranko)
  • Theme and Variations (George Balanchine)
Roles with the Boston Ballet
  • Cinderella (James Kudella): Garden Creature
  • La fille mal gardée(Frederick Ashton): Corps de ballet
  • La Sylphide (Sorella Englund): Reel, Sylph
  • Raymonda (Marius Petipa): Act III Corps de ballet
  • Rubies (George Balanchine): Corps de ballet
  • Serenade (George Balanchine): Corps de ballet
  • The Nutcracker (Mikko Nissinen): Marzipan, Snowflake, Flower, Party Parent
  • The Sleeping Beauty (Rudolf Nureyev): Lilac Fairy Attendant, Garland, Peasant, Nymph, Mazurka, Beauty/Beast
  • The Taming of the Shrew (John Cranko): Townsfolk, Wedding, Carnival
Stuttgarter Ballett, Portrait von Elizabeth Wisenberg, Foto: Roman Novitzky