Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site.

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at all venues generally begin on the same date two months before the day of the performance. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the day before. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be transferred to third parties and are valid up to three years after the issue date. The period begins on December 31 of the year the certificate has been purchased. An extension of this period is excluded. The disbursement of the certificate value is not possible. The monetary value will be offset against the price (higher differences must be paid). Existing remaining amounts are disbursed as another gift certificate. A later setting-off of a certificate to a purchase already made is not possible. Gift certificates cannot be used for the purchase of further certificates.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Tickets can be paid with credit card (American Express, MasterCard, VISA) or SEPA direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 

Roland Havlica

Demi Soloist


Roland Havlica, born in Opava, Czech Republic, was trained at the Dance Conservatory in Prague (1991 – 1999). In 1997, he won the third prize of a dance competition in Brnoicz and two years later the first price at the Prix Carpoux.

After graduating, Roland Havlica had his first engagement in the Corps de ballet at the National Theatre in Prague. There he already danced some solo parts.

In 2001/02, Roland Havlica joined the Stuttgart Ballet’s Corps de ballet. In the same year he participated in the Kazan Competition in Russia, which he successfully emerged as finalist and Best Dancer of a Contemporary Choreography. In 2007/08 he was promoted to Demi-Soloist.


Solo Roles with the Stuttgart Ballet
  • A Streetcar named Desire (John Neumeier): Harold Mitchell, Shaw
  • Bolero (Maurice Béjart): The Rythm
  • Bravo Charlie (Marco Goecke)
  • Brouillards (John Cranko)
  • Das Fräulein von S. (Christian Spuck): René Cardillac, goldsmith
  • Das Lied von der Erde (Kenneth MacMillan)
  • Don Quijote (Maximiliano Guerra): Gypsy King
  • Forgotten Land (Jiří Kylián): Couple in Off-White
  • Gaîté parisienne (Maurice Béjart): Friend, My Father
  • Giselle (production: Reid Anderson, Valentina Savina): Hilarion
  • Hamlet (Kevin O’Day): Rosenkranz
  • High (Louis Stiens)
  • Hikarizatto (Itzik Galili)
  • I fratelli – The Brothers (Mauro Bigonzetti): Simone
  • Initials R.B.M.E. (John Cranko): Solo role in the 2nd movement
  • Jeu de Cartes (John Cranko)
  • Krabat (Demis Volpi): Juro, Merten
  • La fille mal gardée (Sir Frederick Ashton): Widow Simone
  • La Sylphide (Peter Schaufuss, after August Bournonville): Pas de huit
  • Le Chant du Rossignol (Marcoe Goecke)
  • Le Sacre du Printemps (Glen Tetley): Pas de deux
  • Leonce and Lena (Christian Spuck): King Peter
  • Lifecasting (Douglas Lee)
  • Onegin (John Cranko): Gremin
  • Orlando (Marco Goecke): Nicholas Greene
  • Othello (John Neumeier): one of the five soldiers, the Wild Warrior
  • Poème de l’extase (John Cranko): Vision
  • RED in 3. (Jorma Elo)
  • Requiem (Kenneth MacMillan)
  • Return to a strange land (Jiří Kylián): Pas de trois
  • Romeo and Juliet (John Cranko): Benvolio, Carnival Prince, Carnival Dance
  • Seventh Symphony (Uwe Scholz)
  • Sleepers Chamber (Christian Spuck)
  • Slice to Sharp (Jorma Elo)
  • Ssss... (Edward Clug)
  • The Lady and the Fool (John Cranko): Officer
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Prince of the East, Wolf, Companion of the Fairy
  • The Taming of the Shrew (John Cranko): Hortensio, Pas de six
  • Voluntaries (Glen Tetley): Pas de trois
  • Yantra (Wayne McGregor)
Specially created Roles
  • Alben (Marco Goecke)
  • Dancer in the Dark (Marco Goecke/Louis Stiens)
  • Das Fräulein von S. (Christian Spuck)
  • Goecke at the Chamber: The Nutcracker (Marco Goecke): Drosselmeier
  • I fratelli – The Brothers (Mauro Bigonzetti): Boxing Adversary
  • Letters of Others (Bridget Breiner)
  • Nautilus (Wayne McGregor)
  • No Men's Land (Edward Clug)
  • Orlando (Marco Goecke): one of the poets (Dryden)
  • Orphée et Euridice (Staging, Choreography: Christian Spuck)
  • RED in 3. (Jorma Elo)
  • Sweet Sweet Sweet (Marco Goecke)
  • Viciouswishes (Marco Goecke)
Specially created Roles at Noverre-Society: Young Choreographers
  • „6“ (Ivo van Zwieten)
  • Dearest (David Moore)
  • Ein trauriger Abschied (Slava Gepner)
  • Ich bin Du (Peter Quanz)
Corps de ballet Roles with the Stuttgart Ballet
  • A Streetcar named Desire (John Neumeier)
  • Avatar (Matjash Mrozewski)
  • Bolero (Maurice Béjart)
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides)
  • Concerto for Flute and Harp (John Cranko)
  • Corps (Hans van Manen)
  • Don Quijote (Maximiliano Guerra)
  • dreamdeepdown (Kevin O’Day)
  • Edward II (David Bintley)
  • Frank Bridge Variations (Hans van Manen)
  • Giselle (Production: Reid Anderson, Valentina Savina)
  • Initials R.B.M.E. (John Cranko)
  • Kazimir’s Colours (Mauro Bigonzetti)
  • Le sacre du printemps (Glen Tetley)
  • Leonce and Lena (Christian Spuck): Royal dresser a.o.
  • Lulu. A Monstre Tragedy (Christian Spuck)
  • nocturne (Christian Spuck)
  • Onegin (John Cranko)
  • Requiem (Kenneth MacMillan)
  • Romeo and Juliet (John Cranko)
  • Seventh Symphony (Uwe Scholz)
  • Stravinsky Violin Concerto (George Balanchine)
  • Swan Lake (John Cranko)
  • The Concert (Jerome Robbins)
  • The Lady and the Fool (John Cranko)
  • The Lady of the Camellias (John Neumeier): Manon’s admirer a.o.
  • The Sandman (Christian Spuck)
  • The Taming of the Shrew (John Cranko)
  • Theme and Variations (George Balanchine)
  • Voluntaries (Glen Tetley)
Leading Roles and Corps de ballet Roles at National Theatre, Prague, a.o.
  • Little Mr. Friedemann (Libor Vaculic)
  • Mowgli (Libor Vaculic)
  • Onegin (Vasilij Meduédev): Lenski
  • Psycho (Libor Vaculic)
  • Raymonda (Marius Petipa): Jean de Brienne
  • Romeo and Juliet (Libor Vaculic): Mercutio
  • Sinfonietta (Jiří Kylián)
  • Swan Lake (Marius Petipa): Pas de trois, Spanish Dance
  • The Nutcracker (Jurij Grigorovic): Chinese Dance, Mouse King
  • The Sleeping Beauty (Marius Petipa): Blue Bird
Stuttgarter Ballett, Portrait von Roland Havlica, Foto: Roman Novitzky