Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site.

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at all venues generally begin on the same date two months before the day of the performance. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the day before. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be transferred to third parties and are valid up to three years after the issue date. The period begins on December 31 of the year the certificate has been purchased. An extension of this period is excluded. The disbursement of the certificate value is not possible. The monetary value will be offset against the price (higher differences must be paid). Existing remaining amounts are disbursed as another gift certificate. A later setting-off of a certificate to a purchase already made is not possible. Gift certificates cannot be used for the purchase of further certificates.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Tickets can be paid with credit card (American Express, MasterCard, VISA) or SEPA direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
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Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 

Brent Parolin

Demi Soloist


Brent Parolin was born in Prince George, British Columbia, Canada in 1987. He started to take ballet lessons at Judy Russell’s Enchainement Dance Centre in his home town at the age of six. From 2001 until 2005 he continued his dance education at the National Ballet School of Canada in Toronto and successfully completed it one year later at the John Cranko Schule in Stuttgart.

After being an apprentice with the Stuttgart Ballet in the season 2006/07, Brent Parolin was taken into the Corps de ballet in 2007/08. In 2010/11 he was promoted to Demi Soloist.

He danced his first major role at the Stuttgart Ballet while still being a dancer in the Corps de ballet: the title role in Marco Goecke’s Orlando. For the Noverre-Society’s “Young Choreographers” he already created three own choreographies. In June 2010 his Pas de deux Slight Erosion for Elizabeth Mason and Alexander Jones premiered. One year later the Pas de deux Absolute, danced by Hyo-Jung Kang and Alexander Jones, premiered. In 2013 he created 3 Grad for six dancers.

In addition Brent Parolin is also working as ballet master.


Leading Roles and Solo Roles with the Stuttgart Ballet
  • Big Blur (Demis Volpi)
  • Bolero (Maurice Béjart)
  • Bravo Charlie (Marco Goecke)
  • Come Neve al Sole (Rolando D’Alesio)
  • Das Fräulein von S. (Christian Spuck): Pierre Arnaud d’Andilly, advocate
  • Don Quijote (Maximiliano Guerra): Camacho, Gypsy Prince
  • Fingerspitzengefühl (Demis Volpi)
  • Forgotten Land (Jiří Kylián): Couple in Red
  • Gaîté Parisienne (Maurice Béjart): Offenbach, Friend
  • Krabat (Demis Volpi): Merten
  • La Sylphide (Peter Schaufuss after August Bournonville): Pas de huit
  • Le Sacre du Printemps (Glen Tetley): Solo Role
  • Orlando (Marco Goecke): title role
  • Orphée et Euridice (Christian Spuck): main Amor Boy
  • RED in 3. (Jorma Elo)
  • Romeo and Juliet (John Cranko): Mercutio, Carnival Prince
  • Ssss... (Edward Clug)
  • Swan Lake (John Cranko): Rotbart, Cavalier of the Princess of Naples, Companion of the Prince
  • swish (Demis Volpi)
  • Symph (Katarzyna Kozielska)
  • The Four Temperaments (George Balanchine): Second Theme
  • The Lady and the Fool (John Cranko): Host
  • The Lady of the Camellias (John Neumeier): des Grieux
  • The Taming of the Shrew (John Cranko): Gremio, Inn Keeper, Priest
  • workwithinwork (William Forsythe)
Specially created Roles
  • Das Fräulein von S. (Christian Spuck)
  • Goecke at the Chamber: The Nutcracker (Marco Goecke): solo role in “Silent Night”
  • Hamlet (Kevin O’Day): Marcellus, Man of the Court
  • Il Concertone (Mauro Bigonzetti)
  • Krabat (Demis Volpi): Lyschko
  • Letters of Others (Bridget Breiner)
  • No Men’s Land (Edward Clug): Solo role
  • Orlando (Marco Goecke)
  • Orphée et Euridice (Staging, Choreography: Christian Spuck): one of “Suite de l’Amour”
  • Pocket Concerto (Edward Clug)
  • Two at a time (Cayetano Soto)
Specially created Roles at Noverre-Society: Young Choreographers
  • from me to you (Demis Volpi)
  • In Passing (Joseph Morrissey)
  • This Could Get Ugly (Robbie Bird)
Corps de ballet Roles with the Stuttgart Ballet
  • Bolero (Maurice Béjart)
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides)
  • Don Quijote (Maximiliano Guerra)
  • Frank Bridge Variations (Hans van Manen)
  • Gaîté parisienne (Maurice Béjart): Hussar
  • Giselle (Production: Reid Anderson, Valentina Savina)
  • Goecke at the Chamber: The Nutcracker (Marco Goecke)
  • Hamlet (Kevin O’Day)
  • I fratelli – The Brothers (Mauro Bigonzetti)
  • Initials R.B.M.E. (John Cranko)
  • Jeu de cartes (John Cranko)
  • La fille mal gardée (Sir Frederick Ashton)
  • La Sylphide (Peter Schaufuss after August Bournonville):
  • Le Sacre du Printemps (Glen Tetley)
  • Leonce and Lena (Christian Spuck): a.o. Royal dresser
  • Lulu. A Monstre Tragedy (Christian Spuck): one of Lulu’s Lovers
  • Onegin (John Cranko)
  • Opus 1 (John Cranko)
  • Othello (John Neumeier)
  • Poème de l’extase (John Cranko)
  • Présence (John Cranko)
  • Requiem (Kenneth MacMillan)
  • Romeo and Juliet (John Cranko)
  • Siebte Sinfonie (Uwe Scholz)
  • Swan Lake (John Cranko)
  • The Lady and the Fool (John Cranko)
  • The Lady of the Camellias (John Neumeier)
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa)
  • The Song of the Earth (Kenneth MacMillan)
  • The Taming of the Shrew (John Cranko)
  • Yantra (Wayne McGregor)


  • Slight Erosion  World premiere at Noverre-Society: Young Choreographers on June 9th, 2010, Stuttgart Ballet
  • Absolute  World premiere at Noverre-Society: Young Choreographers on July 13th, 2011, Stuttgart Ballet
  • 3 Grad  World premiere at Noverre-Society: Young Choreographers on January 18th,2013, Stuttgart Ballet
Stuttgarter Ballett, Portrait von Brent Parolin, Foto: Roman Novitzky