Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site.

Information on Online Sales

Please examine our General Terms and Conditions as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at all venues generally begin on the same date two months before the day of the performance. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the day before. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be transferred to third parties and are valid up to three years after the issue date. The period begins on December 31 of the year the certificate has been purchased. An extension of this period is excluded. The disbursement of the certificate value is not possible. The monetary value will be offset against the price (higher differences must be paid). Existing remaining amounts are disbursed as another gift certificate. A later setting-off of a certificate to a purchase already made is not possible. Gift certificates cannot be used for the purchase of further certificates.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Tickets can be paid with credit card (American Express, MasterCard, VISA) or SEPA direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
  • Current web browser (Internet Explorer, Firefox, Safari, Chrome or Opera).
  • Cookies activated. -> Privacy policy
  • Please do not use your browser’s ‘Back’ button!
Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 

Sue Jin Kang

Principal Dancer


Sue Jin Kang was born in Seoul, South Korea. After initial ballet lessons in her native country, she studied with Marika Besobrasova at the Académie de Danse classique Princess Grace in Monte Carlo. In 1985 she won the Prix de Lausanne.

In September 1986, Sue Jin Kang was taken into the Stuttgart Ballet’s Corps de ballet. 1994 Márcia Haydée promoted her to Soloist; three years later Reid Anderson promoted her to Principal Dancer. Her repertoire includes a wise range of leading roles full-length ballets, especially by John Cranko, as well as solo roles in other choreographies. Several renowned choreographers have created roles for Sue Jin Kang in their ballets.

Sue Jin Kang has toured with the Stuttgart Ballet all around the world. She successfully performed at the National Ballet of Korea, at the Universal Ballet in Seoul, Korea, as well as at the Art Festival in Istanbul and in Hanover where she danced Lise in La fille mal gardée (Heinz Spoerli). She has also danced at the Bavarian State Ballet Munich, the Dresden Ballet, the Ballet of the Hessian State Theatre Wiesbaden, the Ballet of the Royal Czech National Theatre, the Leipzig Ballet, the Ballet du Capitole, Toulouse and the Vienna State Opera. In May 2007 she was invited by John Neumeier to dance the role of Marguerite Gautier in his ballet The Lady of the Camellias with the Hamburg Ballet and Marijn Rademaker in the role of Armand Duval.

Sue Jin Kang has received several honours and prices such as the Prix Benois de la Danse for her role as Marguerite in The Lady of the Camellias (John Neumeier) in 1999. In 2007 she was awarded the national title of “Kammertänzerin”. In the same year she received the John Cranko-Award from the John Cranko Association. In addition to that, she received diverse honours in her native country.

Stuttgart Ballet’s Principal Dancer Sue Jin Kang was appointed to Artistic Director of the Korean National Ballet in January 2014. But until summer 2016 she will also stay a dancer with the Stuttgart Ballet.


Leading Roles with the Stuttgart Ballet
  • A Midsummer Night’s Dream (Jean Christophe Blavier): Titania
  • Afternoon of a Faun (Jerome Robbins)
  • Bartók Piano Concerto No. 1 (Uwe Scholz)
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides): Carmen
  • Chaconne (George Balanchine)
  • Cinderella (Jean Christophe Blavier): Cinderella
  • Corps (Hans van Manen)
  • Dances at a Gathering (Jerome Robbins): Role in Pink, Role in Green
  • Edward II (David Bintley): Queen Isabella
  • Forgotten Land (Jiří Kylián)
  • Fratres (John Neumeier): female leading role
  • Giselle (Production: Reid Anderson, Valentina Savina): Giselle
  • Giselle (Sir Peter Wright): Giselle
  • Große Fuge (Hans van Manen)
  • Herbst (John Cranko): Pas de deux
  • Hommage à Bolshoi (John Cranko)
  • In and Out (Hans van Manen)
  • Initials R.B.M.E. (John Cranko): M.
  • La Chambre (Renato Zanella)
  • Las Hermanas (Sir Kenneth MacMillan): Angustias
  • Legend (John Cranko): Pas de deux
  • Les Sylphides (Michail Fokine): Prélude
  • Love Songs (William Forsythe)
  • Mata Hari (Renato Zanella): Mata Hari
  • No More Play (Jiří Kylián)
  • Nôtre Dame de Paris (Taneo Ishida): Esmeralda
  • Now and Then (John Neumeier)
  • Nuages (Jiří Kylián)
  • Onegin (John Cranko): Tatjana
  • Othello (John Neumeier): Emilia
  • Poème de l’Extase (John Cranko): Diva
  • Rassemblement (Nacho Duato)
  • Requiem (Kenneth MacMillan): “leading role”
  • Return to a stange Land (Jiří Kylián)
  • Romeo and Juliet (John Cranko): Juliet
  • Serenade (George Balanchine)
  • Sinfonie in D (Jiří Kylián)
  • Stravinsky Violin Concerto (George Balanchine)
  • Symphony in C (George Balanchine): Third movement
  • Tchaikovsky Pas de Deux (George Balanchine)
  • The Concert (Jerome Robbins)
  • The four Temperaments (George Balanchine): Sanguinic
  • The Lady and the Fool (John Cranko): Lady
  • The Lady of the Camellias (John Neumeier): Marguerite Gautier
  • The Magic Flute (Maurice Béjart): Pamina
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Aurora
  • The Song of the Earth (Kenneth MacMillan)
  • The Taming of the Shrew (John Cranko): Katharina
  • The Vertiginous Thrill of Exactitude (William Forsythe)
  • Vers un Pays Sage (Jean Christophe Maillot)
  • Voluntaries (Glen Tetley)
Specially created Roles
  • Avatar (Matjash Mrozewski)
  • Black Angel (Renato Zanella)
  • Delta Inserts (Kevin O’Day)
  • dreamdeepdown (Kevin O’Day)
  • Igor Poems (Kevin O’Day)
  • Kazimir’s Colours (Mauro Bigonzetti)
  • Krabat (Demis Volpi): Herr Gevatter
  • Les Noces (Stephan Thoss)
  • Madama Butterfly (Enrique Gasa Valga)
  • Nautilus (Wayne McGregor)
  • Orfeas (Roberto de Oliveira)
  • Orma (Mauro Bigonzetti)
  • Quattro Danze per Nino (Mauro Bigonzetti)
  • Songs (Christian Spuck)
  • Stepping Stones (Jiří Kylián)
Specially created Roles at Noverre-Society: Young Choreographers
  • (______________?) (Thierry Michel)
  • Dumsky? (Mark McClain)
  • Fünf Etüden (Frédéric Gafner)
  • Lange noch bei den Rosen (Bertrand Perreau)
  • Mujeres sin Hombres (Mark McClain)
  • Restaurant und Bar „Dumky“ (Mark McClain)
  • Something Within Us (Mark McClain)
  • Three waterdrops (Tunc Soekmen)

Stuttgarter Ballett, Portrait von Sue Jin Kang, Foto: Roman Novitzky