Information on Seat Selection

Best Available Seat Booking
In best available seat booking, you choose a category of seats and select the number of tickets you would like. An automatic allocation of seats will take place within the selected category; you receive the best available seats.
Seating Chart Booking
In seating chart booking, you personally select your exact seats from agraphic seating chart. Begin the seating chart booking and choose an area. There you can select the seats by clicking on them.
General Seating
means that, with your ticket, you can freely select your seat according to the conditions on-site.

Information on Online Sales

Please examine our General Terms and Conditions and our information regarding privacy policy (in German) as well as the following information on ticket pre-sales.
Ticket Pre-sales
Ticket pre-sales for performances at all venues generally begin on the same date two months before the day of the performance. If the first pre-sale date falls on a Saturday or Sunday, then pre-sales will begin on that Friday. If it falls on a holiday, then sales will begin the day before. Binding orders with a SEPA Direct Debit mandate will start to be processed two weeks before ticket pre-sales begin. Some events cannot be purchased through online sales. For such cases, please contact our telephone ticket service ((+49) (0) 711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm). Performances outside of the previously mentioned pre-sale periods can be ordered using the online ordering form. Please examine our general information on ticket pre-sales.
Seat Selection
In the course of your booking, information relating to seat selection will be displayed.
Ticket Prices
Ticket prices for online sales include a service fee of 1.00 € per ticket.
Discounts (other than the Schauspielcard)
Please use the alternative sales channels for discounts, as they are not available or applicable for online sales.
Gift Vouchers
Gift certificates can be transferred to third parties and are valid up to three years after the issue date. The period begins on December 31 of the year the certificate has been purchased. An extension of this period is excluded. The disbursement of the certificate value is not possible. The monetary value will be offset against the price (higher differences must be paid). Existing remaining amounts are disbursed as another gift certificate. A later setting-off of a certificate to a purchase already made is not possible. Gift certificates cannot be used for the purchase of further certificates.
Delivery / Pick Up with Confirmation of Purchase
Tickets or gift vouchers can be sent out for a shipping fee of 1.50 €, if the time of the order allows for it. The Staatstheater Stuttgart cannot accept any responsibility for the shipment.
Confirmation of purchase will automatically be sent by email to the address you provided, as soon as purchase of your order has been initiated.
By presenting printed confirmation of purchase, tickets can be picked up at the theatre box office or at the appropriate performance box office; gift vouchers only at the theatre box office (Mon – Fri 10 am – 7 pm, Sat 10 am – 2 pm).
Only printed tickets are valid as passes for means of transport with the VVS. Printed confirmations of purchase will not be accepted as valid ride passes for the VVS.
You can purchase any of our print@home ticket(s) (with the start of season 14/15) at any time and print them out yourself. This booking service is available to you until 1 hour before a performance starts at no additional cost and is specified during the booking via choice of shipping option. After completing the purchasing transaction, the desired ticket will be displayed as a PDF file and can be printed immediately. You will receive a confirmation of purchase at the email address you have provided, with the ticket file as an attachement. The personalization of each ticket with a name and date of birth prevents improper duplication for the protection of the purchaser. Each ticket entitles the holder to one unique admission in conjunction with a valid ID. If there are any questions, please contact our telephone sales office ((+49) (0) 711. 20 20 90). Operating hours telephone sales office: Mon - Fri 10 am - 08 pm; Sat 10 am - 06 pm.

print@home ticket = transit ticket
Your print@home ticket is valid as a transit ticket for public transportation in the VVS system at no additional cost and will automatically beeig print with your print@home ticket. Please pay attention to the required personalisation during the booking transaction.
Late Seating
may not be possible for certain performances. Our telephone ticket service (0711. 20 20 90, Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm) will be happy to provide you with more information!
Tickets can be paid with credit card (American Express, MasterCard, VISA) or SEPA direct debit (Not for new customers, these should call our ticket-service first (+49) (0)711. 20 20 90).
Return / Exchange
We ask that you carefully check your information before authorising purchase of your order, as tickets and gift vouchers cannot be returned or exchanged.
Technical Requirements
  • Current web browser (Internet Explorer, Firefox, Safari, Chrome or Opera).
  • Cookies activated. -> Privacy policy (in german)
  • Please do not use your browser’s ‘Back’ button!
Any more questions?
Phone: (+49) (0) 711. 20 20 90
Mon – Fri 10 am – 8 pm, Sat 10 am – 6 pm 

Jason Reilly

Principal Dancer / Kammertänzer


Jason Reilly was born in Toronto, Canada, where he was trained at the National Ballet School Toronto. During his time as student he already danced in ballets such as The Nutcracker and Pastorale (both: James Kudelka), choreographers such as Glen Gilmour (in Boys Dance), John Neumeier (in Yondering) and David Nixon (in Sudden Impulse) created roles on him.

After his graduation in 1997 he joined the Stuttgart Ballet. In 2000/2001 he was promoted to Demi Soloist, one season later to Soloist. Since the season 2003/04 he has been dancing as Principal Dancer.

With the Stuttgart Ballet Jason Reilly has danced numerous major roles in full-length ballets by renowned choreographers.

Jason Reilly has joined the Stuttgart Ballet on tours and guest performances all around the world. When the Stuttgart Ballet went on it’s tour to the USA in 2003 he gained international acknowledgement for the male title role in John Cranko’s Romeo and Juliet. Furthermore he has danced with internationally renowned female dancers like Alessandra Ferri, Evelyn Hart and Greta Hodgkinson. In the new production of A Streetcar named Desire (John Neumeier) in 2004 he danced the role of Stanley Kowalsky together with Alessandra Ferri. When Canadian star ballerina Evelyn Hart retired from her 30-year-long career and wished to dance the part of Juliet for one last time in April 2004, she asked Jason Reilly to be her Romeo. She also chose him as her dancing partner when she bid farewell to the stage in 2006. In October of the same year, Jason Reilly gave several guest performances of Glen Tetleys Voluntaries with the Royal Ballet in London. In 2007, he danced the role of Petrucchio in John Cranko’s The Taming of the Shrew with the National Ballet of Canada starring Greta Hodgkinson as Kate.

Due to his outstanding interpretation of classical roles in combination with his expression and technical brilliance in modern ballets Jason Reilly was named in the category “Outstanding Dancer” in the annual critics’ choice of the magazine ballettanz several times. In February 2006 Jason Reilly received the German Dance Award “Future”, which is awarded each year by the German Association for Dance Education and the German Association for the Promotion of the Art of Dance.

In September 2015 he was awarded the national title of "Kammertänzer".


Leading Roles with the Stuttgart Ballet
  • A Midsummer Night’s Dream (Jean Christophe Blavier)
  • A Streetcar named Desire (John Neumeier): Stanley Kowalski
  • Afternoon of a Faun (Jerome Robbins)
  • Arena (Glen Tetley)
  • Bite (Katarzyna Kozielska)
  • Bolero (Maurice Béjart): The Melody
  • Brouillards (John Cranko): Hommàge à S. Pickwick Esq., Des pas sur la neige
  • Carmen (John Cranko, new production: Reid Anderson and Georgette Tsinguirides): Torero
  • Dances at a Gathering (Jerome Robbins): Role in Crimson, Role in Brown
  • das siebte blau (Christian Spuck)
  • Don Quijote (Maximiliano Guerra): Basilio, Prince of the Gipsies
  • Don Quijote-Pas de deux (Maximiliano Guerra)
  • dreamdeepdown (Kevin O’Day)
  • Edward II (David Bintley): Gaveston
  • Fanfare LX (Douglas Lee)
  • Forgotten Land (Jirí Kylián): Couple in Black
  • Frank Bridge Variations (Hans van Manen)
  • Fratres (John Neumeier)
  • Gaîté parisienne (Maurice Béjart) : The Lovers
  • Giselle (Production: Reid Anderson, Valentina Savina): Albrecht, Peasant-Pas de deux
  • Grosse Fuge (Hans van Manen)
  • Hikarizatto (Itzik Galili)
  • Hommage à Bolshoi (John Cranko)
  • Initials R.M.B.E. (John Cranko): R, M
  • Kammerballett (Hans van Manen)
  • Kazimir’s Colours (Mauro Bigonzetti)
  • Kleines Requiem (Hans van Manen)
  • Krabat (Demis Volpi): Master
  • La fille mal gardée (Sir Frederick Ashton): Colas
  • La Sylphide (Peter Schaufuss): Friend, Pas de quatre
  • Las Hermanas (Sir Kenneth MacMillan): Pepe
  • Le sacre du printemps (Glen Tetley): Sacrifice, Pas de deux
  • Legende (John Cranko)
  • Lulu. A Monstre Tragedy (Christian Spuck): Dr. Franz Schöning, Jack the Ripper
  • Mono Lisa (Itzik Galili)
  • My Way (Stephan Thoss)
  • No more play (Jirí Kylián)
  • One to another (Douglas Lee)
  • Onegin (John Cranko): Onegin, Gremin
  • Opus 1 (John Cranko): male leading role
  • Orma (Mauro Bigonzetti)
  • Othello (John Neumeier): Othello
  • Pierrot lunaire (Glen Tetley): Brighella
  • Poème de l´Extase (John Cranko)
  • Présence (John Cranko): Roy
  • RED in 3. (Jorma Elo)
  • Requiem (Kenneth MacMillan): solo role in “Offertorium”
  • Romeo and Juliet (John Cranko): Romeo, Benvolio, Carnival prince
  • Serenade (George Balanchine)
  • Seventh Symphony (Uwe Scholz): Solo
  • Slice to Sharp (Jorma Elo)
  • Songs of a wayfarer (Maurice Béjart)
  • Stravinsky Violin Conerto (George Balanchine)
  • Swan Lake (John Cranko): Prince Siegfried
  • Symph (Katarzyna Kozielska)
  • Symphony in C (George Balanchine): Third Movement
  • The Cage (Jerome Robbins): Second Intruder
  • The four Temperaments (George Balanchine): Phlegmatic
  • The Lady and the Fool (John Cranko): Hussar
  • The Lady of the Camellias (John Neumeier): Arman Duval, Gaston Rieux, Des Grieux
  • The second detail (William Forsythe)
  • The Sleeping Beauty (Márcia Haydée after Marius Petipa): Prince Desiré, Carabosse, The Blue Bird, Ali Baba, 4 Princes
  • The Song of the Earth (Kenneth MacMillan): the male leading role
  • The Taming of the Shrew (John Cranko): Petrucchio
  • The Vertiginous Thrill of Exactitude (William Forsythe)
  • Troy Game (Robert North)
  • Urlicht (William Forsythe)
  • Variations for two Couples (Hans van Manen)
  • Voluntaries (Glen Tetley): Pas de deux
Specially created Roles
  • ..., la peau blanche... (Christian Spuck): Henri IV
  • Boys Dance (Glen Gilmour)
  • Carlotta’s Portrait (Christian Spuck)
  • Curtain of Hands (Douglas Lee)
  • Das Fräulein von S. (Christian Spuck): La Regnie, president of the Chambre ardente
  • das siebte blau (Christian Spuck)
  • Deux (Katarzyna Kozielska)
  • dos amores (Christian Spuck)
  • E=mc2 (Jean Christophe Blavier)
  • Firebird (Sidi Larbi Cherkaoui)
  • Gambling, x 5 (Nicolo Fonte)
  • Hamlet (Kevin O’Day): Hamlet
  • I fratelli – The Brothers (Mauro Bigonzetti): Simone
  • Letters of Others (Bridget Breiner)
  • Lulu. A Monstre Tragedy (Christian Spuck): Rodrigo
  • melodious gimmick to keep the boys in line (Marc Spradling)
  • Nautilus (Wayne McGregor)
  • nocturne (Christian Spuck)
  • Or Noir (Fabio Adorisio)
  • Orma (Mauro Bigonzetti)
  • Paper Scissors Stone (Daniela Kurz)
  • Passacaglia (Christian Spuck)
  • Quattro Danze per Nino (Mauro Bigonzetti)
  • RED in 3. (Jorma Elo)
  • Siren Sounding (Douglas Lee)
  • Sleepers Chamber (Christian Spuck)
  • Songs (Christian Spuck)
  • still.nest (Dominique Dumais)
  • Sudden Impulse (David Nixon)
  • Sweet Sweet Sweet (Marco Goecke)
  • Take Your Pleasure Seriously (Katarzyna Kozielska)
  • The Chambers of a Heart (Itzik Galili)
  • The Sandman (Christian Spuck): Coppola
  • The Shaking Tent (Marc Spradling)
  • Yantra (Wayne McGregor)
  • Yondering (John Neumeier)
Specially created Roles at Noverre-Society: Young Choreographers
  • After Rains and Dreams (Paul Julius)
  • Air Guitar (Eric Gauthier)
  • amores 1 (Christian Spuck)
  • Ballet 101 (Eric Gauthier)
  • Blankets of clouds (Rolando D’Alesio)
  • David’s Law (Alejandro Cerrudo Martinez)
  • Demigods (Marco Goecke)
  • Ein Licht in der Dunkelheit (Yoko Tani)
  • Fortuna (Selatin Kara)
  • Lebenszeit (Eric Gauthier)
  • Slipped by (Kinsun Chan)
  • Step Addition (Sébastien Galtier)
  • Vapour Plains (Evan McKie)
Further Roles with the Stuttgart Ballet
  • Ashes (Daniela Kurz)
  • Vers un Pays Sage (Jean Christophe Maillot)

Stuttgarter Ballett, Portrait von Jason Reilly, Foto: Roman Novitzky